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Marstal, H. (2021). Mercyful Fate's “Don't Break the Oath”. New York: Bloomsbury.
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Radovanović, B. (2021). Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies. In B. Radovanović, M. Bralović, M. Radivojević, D. L. Mihajlović, & I. Medić (Eds.), Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity (pp. 97–110). Belgrade: Institute of Musicology SASA.
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Swist, J. J. (2021). Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music. In E. Künyeleri (Ed.), İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! (pp. 200–229). Istanbul: İstanbul Araştırmaları Enstitüsü Yayınları.
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Pérez Pelayo, M. (2021). El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal. Lenguas Radicales, 1(2), 7–18.
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Calvo, M. (2021). Ricardo Iorio e e metal argentino: uma genealogia dos seus nacionalismos. Tropos: Comunicação, Sociedade e Cultura, 10(2), s.p.
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Overell, R. (2021). Voicing the Real in Extreme Metal. Continental Thought & Theory, 3(3), 136–163.
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Kosek, J. (2021). Transfigurations of the “Emploi” and Artistic Manifestations of Female (Heavy) Metal Singers. Annales Universitatis Paedagogicae Cracoviensis, 13(2), 35–46.
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Armao, F. (2021). The Contemporary Myth of the Celts in Ireland: from (Mainstream) Enya to (Underground) Cruachan. Revue française de civilisation britannique, 26(3), s.p.
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Verne, M. (2021). Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar. In A. Schlitte, M. Verne, & G. Wedekind (Eds.), Die Handlungsmacht ästhetischer Objekte (pp. 167–196). Berlin: De Gruyter.
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Kolesnik, A. S. (2021). Стальные воины: репрезентация машин и техники в британском хеви-метале 1980-х годов [Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s]. Художественная культура, 4, 362–381.
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