Home << 1 2 3 4 5 6 7 >>
List View
 | 
Citations
 | 
Details
   web
Records
Author Yusof, Azmyl; Johan, Adil
Title “Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s) Type Book Chapter
Year 2023 Publication Defiant Sounds. Heavy Metal Music in the Global South Abbreviated Journal
Volume Issue Pages 259-280
Keywords Ethnicity; Malasya; Sociology
Abstract
Address (up)
Corporate Author Thesis
Publisher Lexington Books Place of Publication London Editor Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2435
Permanent link to this record
 
 
Author Hamma, Amine; Trott, Brian
Title Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene Type Book Chapter
Year 2023 Publication Defiant Sounds. Heavy Metal Music in the Global South Abbreviated Journal
Volume Issue Pages 369-386
Keywords Morocco; Sociology
Abstract
Address (up)
Corporate Author Thesis
Publisher Lexington Books Place of Publication London Editor Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2440
Permanent link to this record
 
 
Author Rahadianto Sutopo, Oki; Aryo Lukisworo, Agustinus
Title Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene Type Book Chapter
Year 2023 Publication Defiant Sounds. Heavy Metal Music in the Global South Abbreviated Journal
Volume Issue Pages 351-368
Keywords Indonesia; Sociology
Abstract
Address (up)
Corporate Author Thesis
Publisher Lexington Books Place of Publication London Editor Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2439
Permanent link to this record
 
 
Author Varas-Díaz, Nelson; Nevárez Araújo, Daniel
Title Decolonizing the Mind’s Eye: Images of Resistance in Caribbean Metal Music Type Book Chapter
Year 2023 Publication Defiant Sounds. Heavy Metal Music in the Global South Abbreviated Journal
Volume Issue Pages 327-350
Keywords Decolonialism; Caribbean scenes
Abstract
Address (up)
Corporate Author Thesis
Publisher Lexington Books Place of Publication London Editor Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2438
Permanent link to this record
 
 
Author Eckerström, Pasqualina
Title The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria Type Book Chapter
Year 2023 Publication Defiant Sounds. Heavy Metal Music in the Global South Abbreviated Journal
Volume Issue Pages
Keywords Satanic Panic; Egypt; Iran; Syria
Abstract
Address (up)
Corporate Author Thesis
Publisher Lexington Books Place of Publication London Editor Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2437
Permanent link to this record
 
 
Author Banchs, Edward
Title Ancient, Evil, and African: Heavy Metal and Conflict in East Africa Type Book Chapter
Year 2023 Publication Defiant Sounds. Heavy Metal Music in the Global South Abbreviated Journal
Volume Issue Pages 283-302
Keywords East Africa; Sociology
Abstract
Address (up)
Corporate Author Thesis
Publisher Lexington Books Place of Publication London Editor Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2436
Permanent link to this record
 
 
Author Pichler, Peter
Title To the sources! On historical source criticism in metal studies Type Journal Article
Year 2023 Publication Popular Music History Abbreviated Journal
Volume 15 Issue 1 Pages 54–77
Keywords Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes
Abstract Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research.
Address (up) 15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom
Corporate Author Thesis
Publisher Equinox Publishing Ltd Place of Publication United Kingdom Editor Catherine Strong; Shane Homan
Language English Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN 1740-7133 (Print); 1743-1646 (Online) ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number INTech @ brianhickam2019 @ Serial 2469
Permanent link to this record
 
 
Author Martínez, Susana González
Title Enseñar a transgredir: Metal feminista, a través de la investigación-acción participativa, como herramienta artística de liberación y pedagógica en el aula Type Book Whole
Year 2023 Publication Abbreviated Journal
Volume Issue Pages 528
Keywords
Abstract Esta tesis presenta, en primer lugar, una indagación profunda sobre las manifestaciones feministas en la música y cultura metal, desde un abordaje transdisciplinar y multidimensional. En tal sentido, el texto ofrece un análisis crítico exhaustivo de los diversos discursos, procesos relacionales y prácticas corporales del metal feminista en diferentes contextos del Norte y el Sur Global, desde un enfoque interseccional, psicosociológico y pedagógico feminista. Tal análisis está basado en entrevistas en profundidad realizadas con 21 bandas feministas de metal de diferentes países, 32 letras de canciones y 19 portadas de álbumes. Así como otras fuentes complementarias, tales como imágenes promocionales, declaraciones de las bandas en medios, webs/perfiles promocionales, y perfiles personales de las/los artistas en redes sociales. De otro lado, esta tesis, entra en conversación con el campo más amplio de las artes —de forma comparativa— ofreciendo una identificación de los vínculos y distancias del metal feminista con el arte feminista de los 70. Delinea, por otro lado, un patrón didáctico observable en la práctica metal extrema feminista, que permite su conceptualización como praxis liberatoria y, finalmente, como un ejercicio bastardo de a/r/t/ografía ritual social.

En segundo término, el texto muestra el desarrollo de un proyecto de investigación-acción participativa (IAP) internacional, con la comunidad feminista del metal. La IAP —desarrollada en entornos virtuales por un grupo de 36 personas (artistas, activistas y académicas) integrantes de las escenas de metal— ofrece un diagnóstico social sobre las barreras de género que afectan la participación en las diferentes escenas de metal, en contextos del Norte y el Sur Global. Dicho diagnóstico social está desarrollado a partir de una revisión bibliográfica panorámica y una encuesta virtual global, en la que han participado 32 países. Al tiempo, la IAP ha generado varios productos destinados a la intervención/devolución comunitaria de la información obtenida.

Por ende, se ofrecen en este texto: un artículo colectivo, una web, un vídeo-hechizo en consonancia con las estrategias simbólicas del metal feminista, y la serie de vídeos explicativos No Me Toques el Ampli. Con todo, el diseño del proyecto IAP ha conseguido informar de forma rigurosa sobre la clave contextual del fenómeno de estudio objeto de esta disertación —el metal feminista—, al tiempo que ha contribuido a realizar un aporte en pro de los intereses de los sujetos/comunidades de estudio. Por último, esta tesis muestra el desarrollo de una experiencia piloto en el ámbito educativo, que ha tenido como fin explorar la potencialidad que tienen las estrategias y técnicas artísticas del metal feminista identificadas, como herramientas en el marco de las pedagogías feministas restaurativas.

En conclusión, este estudio contribuye a la comprensión de las expresiones artístico-políticas feministas dentro del campo especializado de los estudios del metal y, del arte feminista, en un sentido más amplio. Asimismo, ha servido al impulso de las reivindicaciones feministas en las escenas artísticas del metal, haciendo permeables los límites de la investigación académica —en particular dentro del campo del metal— mediante un enfoque metodológico socialmente comprometido. De otro lado, realiza un aporte a las pedagogías feministas restaurativas, a través de la exploración de una fórmula didáctica innovadora, centrada en el uso de nuevas herramientas y técnicas. En un sentido más amplio y último término, este estudio pone un granito de arena a la empresa utópica de la llamada ecología de saberes —a partir de la interacción de prácticas científicas, prácticas artísticas subalternizadas y saberes encarnados— como una fuente de conocimiento valioso, para activar un pensamiento científico interconectado, siguiendo a Boaventura de Sousa Santos (2010, pp. 52-53).

[This dissertation presents, first, an in-depth perusal of feminist artistic manifestations in metal music and culture from a transdisciplinary and multidimensional approach. In this sense, the text offers an exhaustive critic analysis of the diverse discourses, relational processes, and bodily practices of feminist metal in different contexts of the Global North and South from an intersectional, psycho-sociological, and pedagogical feminist approach. The analysis is based on in-depth interviews conducted with 21 feminist metal bands from different countries, 32 song lyrics and 19 album covers. As well as other complementary sources, such as promotional images, statements of the bands in the media, promotional websites/profiles, and personal profiles of the artists in social networks. Likewise, this dissertation, enters conversation with the broader field of the arts —in a comparative way— offering an identification of the links and distances of feminist metal with feminist art of the 1970s. On the other hand, it delineates a didactic pattern observable in extreme feminist metal music, which allows its conceptualization as a liberatory praxis and, finally, as a bastard exercise in socioritual a/r/t/ography.

Secondly, the text explains the development of an international participatory action-research (AR) project with the feminist metal community. The AR — developed in virtual environments by a group of 36 people (artists, activists, and academics) from the metal scenes— offers a social diagnosis of the gender barriers that affect participation in the different metal scenes in contexts of the Global North and South. This social diagnosis is based on a panoramic literature review and a global survey in which 32 countries participated. At the same time, the AR project has generated several products aimed at community intervention/dissemination of the information obtained.

Thus, this thesis offers the following: a collective article, a web page, a video-spell in line with the symbolic strategies of feminist metal, and the series of explanatory videos Don't Touch My Amp. All in all, the design of the AR project has succeeded in rigorously informing the contextual key to the study phenomenon object of this dissertation —feminist metal— while contributing to the interests of the subjects and community of study. Finally, this dissertation shows the development of a pilot experience in the educational field, which aimed to explore the potential of the identified feminist metal art strategies and techniques as tools within the framework of restorative feminist pedagogies.

Therefore, this study contributes to the understanding of feminist artisticpolitical expressions within the specialized field of metal studies, and feminist art in a broader sense. It has also served to advance feminist claims in the metal scenes, permeating the boundaries of academic research —particularly within the field of metal— through a methodological approach socially committed. It also contributes to feminist restorative pedagogies by exploring an innovative didactic formula focused on using new tools and techniques. In a broader sense and lastly, this study contributes to the utopian enterprise of the so-called ecology of knowledge —based on the interaction of scientific practices, subalternized artistic practices and embodied knowledge— as a source of valuable knowledge, which activates an interconnected scientific thought, following Boaventura de Sousa Santos (2010, pp. 52-53).]

* Source for both was: https://digibug.ugr.es/handle/10481/89687
Address (up) https://digibug.ugr.es/contact
Corporate Author Thesis Doctoral thesis
Publisher Universidad de Granada, Escuela de Doctorado de Humanidades, Ciencias Sociales y Jurídicas, Programas de Escuela de Doctorado de Humanidades. Place of Publication Granada, Andalusia, Spain Editor UniveVallecillos, Rafael Liñán; Varas-Díaz, Nelson
Language Spanish Summary Language English Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN 9788411951623 Medium PDF
Area Expedition Conference
Notes Approved no
Call Number INTech @ brianhickam2019 @ Serial 2537
Permanent link to this record
 
 
Author Banchs, Edward; Bardine, Bryan A.; Chilewska, Anna; Cintrón-Gutiérrez, Luis Javier; Hagen, Ross; Madera, Sheilla R.; Nelson, Bradley J.; Podoshen, Jeffrey; Purves, Robin; Ramos-Pibernus, Alixida; Shadrack, Jasmine Hazel; Scott, Niall W.R.; Varas-Díaz, Nelson; Venkatesh, Vivek; & Wallin, Jason
Title On Extremity: From Music to Images, Words, and Experiences Type Book Whole
Year 2023 Publication Abbreviated Journal
Volume Issue Pages 290
Keywords
Abstract “On Extremity: From Music to Images, Words, and Experiences brings together transdisciplinary scholarship on sounds, images, words, and experiences (human and non-human) to reflect on the polysemic and polymorphic characteristics of extremity and the category of the extreme. The editors and authors aim to contribute to a living, breathing, and expanding definition of extremity that helps us understand what we gain, or lose, when we interact with it, create it, and share it with, or force it upon, others. The volume calls for the emergence of “extremity studies” as an area of perusal to help us navigate our current global condition.”

(source: Amazon.com)
Address (up) https://rowman.com/Page/Lexington
Corporate Author Thesis
Publisher Lexington Books Place of Publication Editor Varas-Díaz, Nelson; Bardine, Bryan; Scott, & Niall W.R.
Language English Summary Language Original Title
Series Editor Series Title Extreme Sounds Studies: Global Socio-Cultural Explorations Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN 1666905208, 978-1666905205 Medium Hardback
Area Expedition Conference
Notes Approved no
Call Number INTech @ brianhickam2019 @ Serial 2520
Permanent link to this record