|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Forshaw, Juliet |
Metal in Three Modes of Enmity: Political, Musical, Cosmic |
2011 |
Current Musicology |
91 |
139-160 |
|
|
Koplow Villavicencio, Jan |
Aproximación a la relación entre la escena metalera chilena y los pueblos originarios Mapuche, Selk’nam y Kawésqar |
2022 |
Contrapulso – Revista Latinoamericana De Estudios En Música Popular |
4 |
78-93 |
|
|
Eckerström, Pasqualina |
Extreme heavy metal and blasphemy in Iran: the case of Confess |
2022 |
Contemporary Islam |
|
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
|
|
Herbst, Jan-Peter; Mynett, Mark |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
2022 |
Rock Music Studies |
t.b.c. |
|
|
|
Tzu-Han Cheng; Chen-Gia Tsai |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
2016 |
Frontiers in Psychology |
7 |
art. 182 |
|
|
Tapia, Reynaldo; Mendoza, Boris |
Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003 |
2022 |
Metal Music Studies |
8 |
143-161 |
|
|
Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward |
Lost in the field: Lessons from metal music studies fieldwork in the Global South |
2022 |
Metal Music Studies |
8 |
163-182 |
|
|
Friconnet, Guillaume |
Establishing a taxonomy of metal subgenres based on quantitative musical and thematic features |
2022 |
Metal Music Studies |
8 |
183-203 |
|
|
Watier, Nicholas |
Threat cues in metal's visual code |
2022 |
Metal Music Studies |
8 |
205-223 |
|