| Records |
| Author |
Núñez, María de la Luz; Rivas, Arturo |
| Title |
Musical representation in times of violence: The origins of Peruvian metal music during the general crisis of the eighties |
Type |
Journal Article |
| Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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| Volume |
4 |
Issue |
1 |
Pages |
219-229 |
| Keywords |
History (metal music); Non-Western scenes; Peru |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
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Place of Publication |
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Editor |
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| Language |
en |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
2052-3998 |
ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
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Approved  |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ nunez_musical_2018 |
Serial |
513 |
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| Author |
Núñez, María de la Luz; Rivas, Arturo |
| Title |
Representaciones musicales en tiempos de violencia: Orígenes del metal peruano durante la crisis general de los años ochenta |
Type |
Journal Article |
| Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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| Volume |
4 |
Issue |
1 |
Pages |
209-218 |
| Keywords |
History (metal music); Non-Western scenes; Peru |
| Abstract |
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| Address |
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Thesis |
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| Publisher |
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Place of Publication |
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Editor |
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| Language |
en |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
2052-3998 |
ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ nunez_representaciones_2018 |
Serial |
515 |
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| Author |
Núñez, María de la Luz |
| Title |
The stones sing: The mestizo metal music of Kay Pacha and Yana Raymi |
Type |
Journal Article |
| Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
|
| Volume |
7 |
Issue |
1 |
Pages |
129-138 |
| Keywords |
Kay Pacha (band); Yana Raymi (band); Perú; Latin America; Non-Western scenes; Mestizaje |
| Abstract |
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Thesis |
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Place of Publication |
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Editor |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2065 |
| Permanent link to this record |
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| Author |
Núñez, María de la Luz |
| Title |
Florecimiento extremo como reivindicación de género: mujeres que hacen metal en Lima |
Type |
Book Chapter |
| Year |
2021 |
Publication |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
48-56 |
| Keywords |
Gender; Perú; Non-western scenes; Extreme Metal |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
Editor |
Scaricaciottoli, Emiliano; Minore, Gito |
| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2146 |
| Permanent link to this record |
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| Author |
Núñez, María de la Luz |
| Title |
De Conan a símbolo de raza y nación : desarrollo e implicancias de la masculinidad de protesta de la figura del guerrero vikingo en los inicios del metal vikingo nórdico. |
Type |
Book Whole |
| Year |
2022 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
103 |
| Keywords |
Heavy metal (Música); Masculinidad en arte; Vikingos |
| Abstract |
Esta tesis trata acerca del desarrollo que sigue la masculinidad de la figura del vikingo del metal, desde que aparece dentro del metal del norte global, hasta que se convierte en la figura paradigmática del metal vikingo nórdico. La hipótesis que sostengo es que el vikingo del metal vikingo nórdico representa una masculinidad de protesta del metal (siguiendo el sentido que Connell le da a la masculinidad de protesta). Por ello, se trata de una construcción de género que contiene elementos que van surgiendo y se vuelven parte de la cultura metalera, así como otros elementos más que le permiten mostrar su oposición o protesta hacia masculinidades diferentes a la que presenta el vikingo, sobre todo hacia la masculinidad hegemónica local. No obstante, la expresión de dicha oposición termina presentando varias similitudes con discursos de odio ligados al patriarcado, a la raza y a la nacionalidad. |
| Address |
https://www.uc.cl/ |
| Corporate Author |
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Thesis |
Master's thesis |
| Publisher |
Pontificia Universidad Católica de Chile |
Place of Publication |
Santiago de Chile, Republic of Chile |
Editor |
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| Language |
Spanish |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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| Notes |
Magíster en Artes con mención en Musicología vía investigación; Open Access |
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ 781.66 |
Serial |
2296 |
| Permanent link to this record |
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| Author |
Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica |
| Title |
Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal |
Type |
Journal Article |
| Year |
2022 |
Publication |
Trans: Revista Transcultural de Música |
Abbreviated Journal |
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| Volume |
26 |
Issue |
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Pages |
1-16 |
| Keywords |
Metal, violencia, género, protocolo, Nuestra Abya Yala, Nuestra Afroamérica; Gender; Violence; Metal music, GBV, protocol, Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM) |
| Abstract |
El objetivo de este artículo es narrar la experiencia de construcción de un protocolo contra violencias por motivos de género en las prácticas del metal dentro de la región de Nuestra Abya Yala y Nuestra Afroamérica, por parte de la Comisión de Género de la Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM). Para ello se dará cuenta de las diferentes etapas que componen este proceso, las cuales van desde las necesidades iniciales surgidas a partir de diversos ataques de violencia epistémica hacia integrantes de la REEHM, hasta la elaboración colectiva mediante métodos colaborativos. Esto implica la lectura, la reflexión y la escucha cuidada y grupal en la Primera Ronda de Brujxs. Hacia el final se comentan algunas conclusiones y proyecciones futuras vinculadas al metal y las problemáticas de género.
[The aim of this article is to recount the experience of building a protocol against gender-based violence (GBV) within metal music practices in the region of Nuestra Afroamerica, by the Gender Commission of the Heavy Metal Studies and Experiences Network (REEHM). The different stages that make up this process will be described, ranging from the initial needs arising from various attacks of epistemic violence against REEHM members, to the collective elaboration through collaborative methods. This involves group reading, reflection, and careful listening in the Primera Ronda de Brujxs (First Circle of Witches). Towards the end some conclusions and future projections related to metal and gender issues are discussed.] |
| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
SIBE: Sociedad de Etnomusicología |
Place of Publication |
Barcelona, España |
Editor |
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| Language |
español |
Summary Language |
English |
Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
1697-0101 |
ISBN |
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Medium |
PDF |
| Area |
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Expedition |
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Conference |
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| Notes |
Open access: Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Spain license. |
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2387 |
| Permanent link to this record |
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| Author |
Núñez, María de la Luz |
| Title |
Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas |
Type |
Journal Article |
| Year |
2023 |
Publication |
UCOARTE. Revista De Teoría E Historia Del Arte |
Abbreviated Journal |
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| Volume |
12 |
Issue |
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Pages |
236–260 |
| Keywords |
Yana Raymi (band); Perú; Neobaroque; Aesthetics; Cover Art |
| Abstract |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2491 |
| Permanent link to this record |
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| Author |
Núñez, María de la Luz |
| Title |
Crítica feminista a través de la técnica de voz gutural: el caso Vofemex. |
Type |
Magazine Article |
| Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
Abbreviated Journal |
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| Volume |
1 |
Issue |
1 |
Pages |
26-27 |
| Keywords |
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| Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
| Address |
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Thesis |
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| Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
Editor |
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| Language |
español |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
2953-3805 |
ISBN |
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Medium |
PDF |
| Area |
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Expedition |
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Conference |
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| Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
Approved |
yes |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2418 |
| Permanent link to this record |
