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Pieslak, J. R. (2007). Sound Targets: Music and the War in Iraq. Journal of Musicological Research, 26(2-3), 123–149.
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Bechtold, G. (2008). Die Heavy Metal Kultur in bildender Kunst und Musik: Fachwissenschaftliche und fachdidaktische Aspekte. Saarbrücken: VDM Verl. Dr. Müller.
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Brandl, G. (2010). Die Entwicklung und Bedeutung der E-Gitarre im Heavy Metal. Berlin: Logos-Verl.
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Rachau, S. (2014). Im Feld des Heavy Metal: vier deutsche Bands. Hamburg: Kovač.
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(2012). Metal drumming concepts: vital beats, exercises, fills, tips & techniques. Milwaukee: Hal Leonard.
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(2010). The stylistic history of heavy metal guitar. Cherry Lane: Hal Leonard.
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Lilja, E. (2009). Theory and analysis of classic heavy metal harmony. Helsinki: IAML Finland.
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Waksman, S. (1999). Instruments of desire: the electric guitar and the shaping of musical experience. Cambridge (USA): Harvard University Press.
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Tsai, C. - G., Wang, L. - C., Wang, S. - F., Shau, Y. - W., Hsiao, T. - Y., & Auhagen, W. (2010). Aggressiveness of the Growl-Like Timbre: Acoustic Characteristics, Musical Implications, and Biomechanical Mechanisms. Music Perception, 27(3), 209–222.
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Pieslak, J. (2009). Sound Targets: American Soldiers and Music in the Iraq War. Bloomington: Indiana University Press.
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