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Heritage, G. (2016). ‘It’s like a Mach piece, really’: Critiquing the Neo-classical Aesthetic of 80s Heavy Metal Music. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 50–67). New York & London: Routledge.
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Elflein, D. (2016). Iron and Steel: Forging Heavy Metal’s Song Structures or the Impact of Black Sabbath and Judas Priest on Metal’s Musical Language. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 35–49). New York & London: Routledge.
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Schumann, G. (2015). Terminally Climactic Forms In Heavy Metal Music. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 413–423). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Wahlstrom, K. (2015). The Groove Of Hard Rock And Heavy Metal. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 404–412). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Lilja, E. (2015). Dealing With The 3rd: Anatomy Of Distorted Chords And Subsequent Compositional Features Of Classic Heavy Metal. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 393–403). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Mesiä, S., & Ribaldini, P. (2015). Heavy Metal Vocals: A Terminology Compendium. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 383–392). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Grund, C. M. (2015). The Sounds Of Metal: A Proposal For The Interpretation Of Extreme Metal As Music. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 374–382). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Efthimiou, C. (2014). ”Gott, da draußen sind eine Viertelmillion Menschen versau es nicht”. Ein Versuch, den typischen Iron Maiden-Klang aus musikanalytischer Sicht zu beschreiben. In F. Heesch, & A. - K. Höpflinger (Eds.), Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge (pp. 117–134). Münster: Waxmann Verlag.
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Sweers, B. (2014). Der lettische Pagan Metal. Eine ethnomusikologische Quellenkritik und Diskursanalyse. In F. Heesch, & A. - K. Höpflinger (Eds.), Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge (pp. 101–116). Münster: Waxmann Verlag.
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Galicia Poblet, F. (Ed.). (2019). Heavy y metal, a través del cristal. Nuevas perspectivas culturales. Madrid: Apache Libros.
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