| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Guberman, Daniel |
Teaching intercultural competence through heavy metal music |
2020 |
Arts and Humanities in Higher Education |
20 |
115-132 |
|
|
|
Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
2020 |
Musicae Scientiae |
OnlineFirst |
|
|
|
|
Wojtala, Malwina |
Inspiracje II wojną światową w muzyce metalowej [Inspirations of the Second World War in metal music] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
212-225 |
|
|
|
Schmidt, Andreas |
Unten und im Norden: Mythische Bildsprache, Kunst und (Sub-)Kultur in der nordischen Schaffensperiode Helrunars |
2020 |
NORDEUROPAforum – Zeitschrift für Kulturstudien |
Jhg. 2020 |
194-227 |
|
|
|
Hill, Rosemary Lucy |
When love and critique collide: Methodology ontology fandom and standpoint in metal research |
2021 |
Metal Music Studies |
7 |
197-210 |
|
|
|
Garza, Jose M. |
Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music |
2021 |
Music Theory Online |
27 |
n.p. |
|
|
|
Hagen, Katharina |
“If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as a Contrary Version of The [First] Book of Urizen |
2021 |
Blake / an Illustrated Quarterly |
54 |
n.p. |
|
|
|
Barchi, Rodrigo (ed) |
Diálogos com a música extrema |
2021 |
|
|
|
|
|
|
Messick, Kyle J. |
Music Industry in Crisis: the Impact Of a Novel Coronavirus on Touring Metal Bands, Promoters, and Venues |
2021 |
The Societal Impacts of Covid-19: A Transnational Perspective |
|
93-108 |
|
|
|
Carmona Campo, Andrés |
Filosofía y heavy metal |
2021 |
|
|
|
|
