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Slaven, J. E., & Krout, J. L. (2016). Musicological analysis of guitar solos from the roots of rock through modern heavy metal. Metal Music Studies, 2(2), 245–251.
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Herbst, J. - P. (2017). Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3(1), 23–46.
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Herbst, J. - P. (2017). Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3(2), 231–250.
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Kazdan, A. (2017). Textural applications of power chords in Scandinavian death metal. Metal Music Studies, 3(2), 269–321.
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Hillier, B. (2018). The aesthetic-sonic shift of melodic death metal. Metal Music Studies, 4(1), 5–23.
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Herbst, J. - P. (2018). Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4(1), 95–113.
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Hainaut, B. (2012). ”Fear and Wonder”. Le fantastique sombre et l’harmonie des médiantes, de Hollywood au black metal. Volume! La revue des musiques populaires, 9(2), 179–197.
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Burns, L. (2023). Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995). In W. Moylan, L. Burns, & M. Alleyne (Eds.), Analyzing Recorded Music: Collected Perspectives (323–338). Routledge.
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Hudson, S. S. (2023). Song form and storytelling in mainstream metal. Metal Music Studies, 9(1), 7–26.
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Lucas, O. R. (2016). Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music. Ph.D. thesis, Harvard University, Cambridge.
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