| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Lucas, Olivia R. |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
2016 |
|
|
|
| Hannan, CalderCalder |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
2022 |
Music Theory Online |
28 |
s.p. |
| Sabbath, Juan |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
2021 |
|
|
312 |
| Reithaug, Eirik Albrethsen |
Skald Av Satans Sol: An exploration of early Norwegian black metal through topic theory |
2022 |
|
|
|
| Kosek, Jakub (ed) |
Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives] |
2022 |
|
|
|
| Radovanović, Bojana |
Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies |
2021 |
Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity |
|
97-110 |
| Jordan, James Boddington |
Harmonic Structures of 21st Century Heavy Metal |
2021 |
|
|
|
| McDowell, Michael A., II |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
2016 |
|
|
80 |
| Burns, Lori A.; Armstrong, Patrick |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
2021 |
Metal Music Studies |
7 |
357-382 |
| Swallow, Reuben |
Defining Consonance and Dissonance in Metal Music |
2021 |
|
|
|
