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Hannan, C. C. (2022). Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”. Music Theory Online, 28(1), s.p.
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Sabbath, J. (2021). Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021. Sogamoso, Boyacá, Republic of Colombia: Nixx Editores.
Abstract: El libro 'Bienvenidos al Sabbath' ofrece reflexiones en torno a la apreciación de la música metal y la vigencia del underground que contribuyen a la construcción de una teoría del metal. Además, recopila ensayos inéditos junto a una antología de las entrevistas, crónicas y reseñas sobre rock & metal hechas por el autor durante los últimos 20 años.
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Reithaug, E. A. (2022). Skald Av Satans Sol: An exploration of early Norwegian black metal through topic theory. Master's thesis, University of Oslo, Oslo.
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Kosek, J. (Ed.). (2022). Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives]. Krakow: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego w Krakowie.
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Radovanović, B. (2021). Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies. In B. Radovanović, M. Bralović, M. Radivojević, D. L. Mihajlović, & I. Medić (Eds.), Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity (pp. 97–110). Belgrade: Institute of Musicology SASA.
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Jordan, J. B. (2021). Harmonic Structures of 21st Century Heavy Metal. Master's thesis, University of Huddersfield, Huddersfield.
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McDowell, M. A., II. (2016). Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene. Master's thesis, University of South Florida, Ann Arbor.
Abstract: The Southern Metal scene depends heavily on the performance of a Southern Identity. While considerable research has been done on other musical genres and scenes from the American South (country music, blues, gospel music), less attention has been given to the extreme metal scene of Southern Metal. Using scholarship of Nadine Hubbs, Philip Auslander, Jefferey C. Alexander, and Keith Kahn Harris, among others, I analyze two films, Slow Southern Steel (2010) and NOLA: Life, Death, and Heavy Blues from the Bayou (2014), and one song, Down’s “Eyes of the South” as cultural productions of this Southern Metal scene. In this project, I define the musical elements and scene ethos of Southern Metal as they relate to a wider, more mainstream American audience and describe how these identities and cultural forms are produced, negotiated, and embodied.
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Burns, L. A., & Armstrong, P. (2021). Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000). Metal Music Studies, 7(3), 357–382.
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Swallow, R. (2021). Defining Consonance and Dissonance in Metal Music. Master's thesis, University of Huddersfield, Huddersfield.
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St-Laurent, M. - R., & Smialek, E. (2018). Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization. In C. Scotto, K. Smith, & J. Brackett (Eds.), The Routledge Companion to Popular Music Analysis: Expanding Approaches (pp. 378–399). Abingdon & New York: Routledge.
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