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Author (up) Pack, Christian
Title Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America Type Book Whole
Year 2018 Publication Abbreviated Journal
Volume Issue Pages 233
Keywords Communication and the arts; Culture; El Salvador; Heavy metal; Humor; International law; Language, Latin America; Literature and linguistics; Obscenities; Philosophy; Politics; Social sciences; Spanish
Abstract Heavy Metal in El Salvador has been a driving force of the underground culture since the Civil War in the 1980s. Over time, it has grown into a large movement that encompasses musicians, producers, promoters, media outlets and the international exchange of music, ideas and live shows. As a music based around discontent with society at large, Heavy Metal attempts to question the status quo through an intellectual exploration of taboo subjects and the presentation of controversial live shows. As an international discourse, Heavy Metal speaks to ideas of both socio-political and individual power based around a Philosophy of Life that exalts personal freedoms and personal responsibility to oneself and their society. As a community, it represents a ‘rage’ group, as defined by Peter Sloterdijk, that questions Western epistemologies and the doctrines of Christian Philosophy. This is done in different ways, by different genres, but at the heart is the changing of macro- (international) discourses into micro- (local) discourses that focus on those issues important to the geographic specificity of the region.

In the case of Black Metal, born in Norway, it is interpreted in El Salvador through the similarities between the doctrines of Hitler and those of the most famous dictator in the country’s history – General Maximiliano Hernandez – and then applied, ironically, to the local phenomena of the Salvadoran Street Gangs (MS-13 and 18s) and their desired extermination. It is also done through the re-interpreting of folk metal in the local phenomenon of tribal metal that reinterprets the indigenous through the lens of modern society and heavy metal’s ideas of power. Finally, the Salvadoran metalhead adapts the genre’s vulgarity and dark humor to fuel their own systems of dealing with harsh repression and existing within a society that seems to have no place for them. At the bottom though, much more than a community, Heavy Metal in El Salvador is a source of fraternalismo that utilizes the Philosophy of Life to bind its members together and to provide them a means by which to express their personal freedoms within a society that would happily see them limited.
Address
Corporate Author Thesis Ph.D. thesis
Publisher Johns Hopkins University Place of Publication Ann Arbor Editor
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN 978-1-392-06770-3 Medium
Area Expedition Conference
Notes Approved no
Call Number INTech @ brianhickam2019 @ Serial 2204
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Author (up) Pack, Christian
Title ‘Severed Reality’: Representations of reality in Salvadoran tribal metal Type Journal Article
Year 2018 Publication Metal Music Studies Abbreviated Journal
Volume 4 Issue 1 Pages 187-196
Keywords Motifs; Cultural Identity; Non-Western scenes; El Salvador; Tribal metal
Abstract
Address
Corporate Author Thesis
Publisher Place of Publication Editor
Language en Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN 2052-3998 ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM - CAM @ amaranta.saguar.garcia @ pack_severed_2018 Serial 516
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Author (up) Pack, Christian
Title Invocando a las Tinieblas – Hitler, Heavy Metal and Contemporary Death Sqauds in El Salvador.pdf Type Miscellaneous
Year 2017 Publication Abbreviated Journal
Volume Issue Pages
Keywords Death; Motifs; Non-Western scenes; Evil; El Salvador
Abstract
Address
Corporate Author Thesis
Publisher Place of Publication Baltimore Editor
Language en Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM - CAM @ amaranta.saguar.garcia @ pack_invocando_2017 Serial 121
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Author (up) Pack, Christian
Title Salvadoran Metal and the Questioning of National Identity Type Book Whole
Year 2015 Publication Abbreviated Journal
Volume Issue Pages
Keywords Cultural Identity; Non-Western scenes; El Salvador
Abstract
Address
Corporate Author Thesis Ph.D. thesis
Publisher John Hopkins University Place of Publication Baltimore Editor
Language en Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM - CAM @ amaranta.saguar.garcia @ pack_salvadoran_2015 Serial 126
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Author (up) Pack, Christian M.
Title “Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal Type Book Chapter
Year 2020 Publication Heavy Metal Music in Latin America: Perspectives from the Distorted South Abbreviated Journal
Volume Issue Pages 39-60
Keywords El Salvador; Latin America; Non-Western scenes; Death Metal; Brutal Death Metal; Kabak (band)
Abstract
Address
Corporate Author Thesis
Publisher Lexington Books Place of Publication Lanham Editor Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2015
Permanent link to this record