Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Hill, Rosemary Lucy |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
2022 |
Samples. Open Access Journal for Popular Music Studies |
20 |
197-210 |
| Hill, Rosemary Lucy |
When love and critique collide: Methodology ontology fandom and standpoint in metal research |
2021 |
Metal Music Studies |
7 |
197-210 |
| Hill, Rosemary Lucy |
Metal and sexism |
2018 |
Metal Music Studies |
4 |
265-279 |
| Hill, Rosemary Lucy |
Gender, metal and the media: women fans and the gendered experience of music |
2016 |
|
|
|
| Hill, Rosemary Lucy |
Masculine Pleasure? Women’s Encounters with Hard Rock and Metal Music |
2016 |
Global metal music and culture: current directions in metal studies |
|
277-296 |
| Hill, Rosemary Lucy |
‘Power has a penis’: Cost reduction, social exchange and sexism in metal – reviewing the work of Sonia Vasan |
2016 |
Metal Music Studies |
2 |
263-271 |
| Hill, Rosemary Lucy |
Using Women’S Listening Pleasure To Challenge The Notion Of Hard Rock And Metal As ‘Masculine’ Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
240-246 |
| Hill, Rosemary Lucy |
Reconceptualizing hard rock and metal fans as a group: Imaginary community |
2014 |
International Journal of Community Music |
7 |
173-187 |
| Hill, Rosemary Lucy |
Pleasure in Metal: What Women Fans Like about Hard Rock and Metal Music |
2012 |
Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture |
|
117-127 |
| Hill, Rosemary Lucy |
Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community |
2011 |
Journal for Cultural Research |
15 |
297-313 |
