| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Banchs, Edward |
From The Ashes of the Fallen Empire: Heavy Metal and Community in Post-Apartheid South Africa |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Banchs, Edward |
Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa |
2022 |
|
|
|
|
|
|
Banchs, Edward |
Ancient, Evil, and African: Heavy Metal and Conflict in East Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
283-302 |
|
|
|
Epp, André |
Heavy Metal und Islam – ein Antagonismus? Zur Rezeption und Verbreitung des Heavy Metals in Staaten der MENA |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
343-356 |
|
|
|
Epp, André |
Gemeinsamkeiten im politischen Heavy Metal? Eine regionale Gegenüberstellung der politischen Dimension von Heavy Metal in der MENA-Staaten und on westlichen Ländern |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
151-165 |
|
|
|
Hoad, Catherine |
”Ons is saam” – Afrikaans metal and rebuilding whiteness in the Rainbow Nation |
2014 |
International Journal of Community Music |
7 |
189-204 |
|
|
|
Knopke, Ekkehard |
”Redykyulass Generation Light”. Metal und Politik in Kenia |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
135-150 |
|
|
|
Le Vine, Mark |
“We Play Heavy Metal because Our Lives Are Heavy Metal”: A Generation of Metal in the Middle East and North Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
115-136 |
|
|
|
LeVine, Mark |
Headbanging Against Repressive Regimes: Censorship of Heavy Metal in the Middle East, North Africa, Southeast Asia and China |
2009 |
|
|
|
|
|
|
Silva, Melina Aparecida dos Santos; Sá, Simone Pereira de |
Duas pernas, um braço: a banda Katingation e sua apropriação do death metal no cenário pós-guerra civil angolano |
2014 |
Comunicação Mídia E Consumo |
11 |
65-81 |
|
