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Bartosch, R. (2011). Subversiv/Plakativ: (Inter-)Textuelle Dimensionen des Heavy Metal. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 5–10). Oberhausen: Schmenk.
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Bartosch, R. (2011). Kanon-Subversion und Geschlechts(de)konstruktion in den Lyrics von Cradle Of Filth. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 124–140). Oberhausen: Schmenk.
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Bartosch, R. (Ed.). (2011). Heavy Metal Studies: Lyrics und Intertextualität. Oberhausen: Schmenk.
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Basu, S. P. (2011). ”Mouth” For War”: Pro-war Leanings in American Heavy Metal Music. The Visva-Bharati Quarterly: New Series, 20(1-4), 100–114.
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Bell, A. (2011). Metal in a micro island state: an insider’s perspective. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 271–293). Durham: Duke University Press.
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Bénard, N. (2011). Métalorama : ethnologie d’une culture contemporaine. Rosières-en-Haye: Camion blanc.
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Bendrups, D. (2011). Nako: the metal in the marrow of Easter Island music. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 313–332). Durham: Duke University Press.
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Bertolotti, A., & Rohner, N. (2011). Under the skin of Rock ’n’ Roll. 2. Norderstedt: Books on Demand GmbH.
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Bielmann, D. (2011). Sympathie für den Teufel: Deutsche Literatur als Vorlage für Heavy Metal-Lyrics. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 141–153). Oberhausen: Schmenk.
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Borge, A. T. (2011). Er det en sammenheng mellom tungrock og satanisme? En kritisk gjennomgang av hovedoppgaven: ”Satan – rock? Destruktive element i tungrocken med særleg vekt på satanisme”. Ph.D. thesis, Det Teologiske Menighetsfakultetet, Oslo.
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