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Herbst, J. - P., & Mynett, M. (2022). Toward a Systematic Understanding of “Heaviness” in Metal Music Production. Rock Music Studies, t.b.c..
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Hernández Parra, S. I. (2022). “NO SOMOS CHAPULINES”. LA ESTIGMATIZACIÓN DE LA PRÁCTICA MUSICAL METAL COMO VIOLENTA A FINALES DEL SIGLO XX EN COSTA RICA. Metal de Habla Hispana, 1, 67–73.
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Hernando González, P. (2021). La tradición clásica en el heavy metal y el rock. Bachelor's thesis, Universitat autònoma de Barcelona, Barcelona.
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Herrera Díaz, F. A. (2017). Metal colombiano: los sonidos de un país en guerra. Bachelor's thesis, Pontificia Universidad Javeriana, Bogotá.
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Hiebaum, C. (2024). Law and Its Cultural Representations (With a Focus on Heavy Metal Studies). In P. Pichler (Ed.), The Law of the Metal Scene: An Interdisciplinary Discussion (pp. 11–28). Stuttgart: Kohlhammer.
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Hill, R. L. (2022). When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music. Samples. Open Access Journal for Popular Music Studies, 20, 197–210.
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Hoad, C. (2023). Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness”. Rock Music Studies, t.b.c..
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Hoad, C. “Images and words”: Textual analysis and its uses for metal music studies. In A. Bennett (Ed.), The Bloomsbury Handbook of Popular Music and Youth Culture (pp. 151–169). New York; London; Dublin: Bloomsbury Publishing.
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Hofer, D. (2014). PERPETUAL CONVERSION: 30 Years and Counting in the Life of Metal Veteran Dan Lilker. Handshake Inc.
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Hoffin, K. (2023). The Norwegian Black Metal Second Wave. In E. Peters (Ed.), (pp. 27–38). Abingdon & New York: Routledge.
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