Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Hudson, Stephen S. |
Song form and storytelling in mainstream metal |
2023 |
Metal Music Studies |
9 |
7-26 |
| Hudson, Stephen S. |
Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music |
2022 |
Music Theory Spectrum |
44 |
s.p. |
| Hudson, Stephen S. |
Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics |
2021 |
Metal Music Studies |
7 |
475-478 |
| Hurley, Gavin F. |
Funeral doom metal as the rhetoric of contemplation: A Burkean perspective |
2022 |
Metal Music Studies |
8 |
69-85 |
| Ivanović, Blanka |
Tool, indijska filozofija i Jung [Tool, Indian Philiosophy and Jung] |
2021 |
Studia Polensia |
10 |
7-22 |
| Jakić, Ivan; Beroš, Marin |
Nenormalnost ili o potrazi za identitetnim osnovama heavy metala [Abnormality or the search for heavy metal's fundamental identity] |
2021 |
Studia Polensia |
10 |
73-86 |
| James, Kieran |
Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality |
2023 |
Music in Crime, Resistance, and Identity |
|
52-62 |
| James, Kieran Edmond; Walsh, Rex John |
Masculinity and underground music scene participation across time: A case study from Indonesia |
2022 |
Metal Music Studies |
8 |
29-46 |
| Janotti Junior, Jeder |
Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. |
|
|
|
156 |
| Jiggens, Rebecca; Shadrack, Jasmine Hazel |
Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
38-51 |
