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Donhauser, J., & Blessing, K. A. (2007). Fade to Black: Absurdity, Suicide, and the Downward Spiral. In W. Irwin (Ed.), Metallica and Philosophy: a crash course in brain surgery (pp. 148–160). Malden & Oxford: Blackwell.
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dos Passos, C. (2021). Do noisecore ao noise : a tradução do precário em “The Hermeneutics of Fear of God”. In R. Barchi (Ed.), Diálogos com a música extrema (pp. 29–66). Porto Alegre: editorafi.org.
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Eberl, J. T. (2007). Living and Dying as One: Suffering and the Ethics of Euthanasia. In W. Irwin (Ed.), Metallica and Philosophy: a crash course in brain surgery (pp. 135–147). Malden & Oxford: Blackwell.
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Engelen, B. (2007). Alcoholica: When Sweet Amber Becomes the Master of Puppets. In W. Irwin (Ed.), Metallica and Philosophy: a crash course in brain surgery (pp. 29–40). Malden & Oxford: Blackwell.
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Evangelista Ávila, J. L. (2021). Lo infernal y lo demoníaco como formas de subjetividad. Una lectura de las composiciones de Luzbel a partir de Kierkegaard y Sartre. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 121–127). Buenos Aires: Clara Beter Ediciones.
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Fosl, P. S. (2007). Metallica, Nietzsche, and Marx: The Immorality of Morality. In W. Irwin (Ed.), Metallica and Philosophy: a crash course in brain surgery (pp. 74–84). Malden & Oxford: Blackwell.
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Frimodt-Møller, S. R. (2012). Black Sabbath and the Problem of Defining Metal. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 76–86). West Sussex: John Wiley & Sons.
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Froese, B. (2012). “Is It the End, My Friend?” Black Sabbath ’ s Apocalypse of Horror. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 20–30). West Sussex: John Wiley & Sons.
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Fudge, R. (2007). Whisper Things Into My Brain: Metallica, Emotion, and Morality. In W. Irwin (Ed.), Metallica and Philosophy: a crash course in brain surgery (pp. 5–15). Malden & Oxford: Blackwell.
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Gibson, D. L. (2019). Postmodernism in Lou Reed and Metallica’s collaborative album ”Lulu” : The subjective perception of ”highbrow” and ”lowbrow”. Metal Music Studies, 5(2), 187–200.
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