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Kallioniemi, K., & Kärki, K. (2009). The Kalevala, Popular Music, and National Culture. Popular Music, 13(2), 12.
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Karjalainen, T. - M. (2018). Tales from the North and Beyond: Sounds of Origin as Narrative Discourses. In T. - M. Karjalainen (Ed.), Sounds of origin in heavy metal music (pp. 1–40). Cambridge: Cambridge Scholars Publishing.
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Karjalainen, T. - M. (Ed.). (2018). Sounds of origin in heavy metal music. Cambridge: Cambridge Scholars Publishing.
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Lucas, O. (2015). Kentucky: Sound, Environment, History – Black Metal And Appalachian Coal Culture. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 555–563). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Manea, I. - M. (2016). Interludium: Die völkische Dimension des Black Metal. In N. Penke, & M. Teichert (Eds.), Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen (pp. 75–82). Baden-Baden: Nomos.
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Manea, I. - M. (2016). Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community. Sociology and Anthropology, 4(2), 82–91.
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Manea, I. M. (2015). Primal Roots: Ancestry and Race in Extreme Music Discourses. In Proceedings of IAC-SSaH 2015: International Academic Conference on Social Sciences and Humanities in Prague 2015 (pp. 185–193). Prag: Czech Technical University in Prague.
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Manea, I. M. (2016). Valhalla Rising: The Construction of Cultural Identity through Norse Myth in Scandinavian and German Pagan Metal. Ph.D. thesis, University of Bucharest, Bucharest.
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McGrath, B. (2015). The Othering Of Botswanan Metal. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 206–218). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Mulvany, A. P. (2000). ”Reawakening pride once lost”: indigeneity and European folk metal. Ph.D. thesis, Wesleyan University, Middletown.
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