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González Hernández, J. O. (2021). Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia. Metal Music Studies, 7(1), 119–128.
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Grant, S. (2017). Resistants, stimulants and weaponization: Extreme metal music and empowerment in the Iraqi and Syrian civil conflicts. Metal Music Studies, 3(2), 175–200.
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Grund, C. M. (2015). The Sounds Of Metal: A Proposal For The Interpretation Of Extreme Metal As Music. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 374–382). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Harbert, B. J. (2013). Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha. In T. Burkhalter, K. Dickinson, & B. J. Harbert (Eds.), The Arab Avant-Garde: Music, Politics, Modernity (pp. 229–272). Middletown: Wesleyan University Press.
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Helden, I. von. (2010). Scandinavian metal attack: the power of Northern Europe in extreme metal. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 31–41). Oxford: Inter-Disciplinary Press.
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Hill, R., & Spracklen, K. (Eds.). (2010). Heavy fundametalisms: music, metal and politics. Oxford: Inter-Disciplinary Press.
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Hjelm, T., Kahn-Harris, K., & LeVine, M. (Eds.). (2013). Heavy metal: controversies and countercultures. Bristol: Equinox.
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Hoad, C. (2015). Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 300–308). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Hoad, C., & Whiting, S. (2017). True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal. M/C Journal, 20(6), n..p.
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Hutcherson, B., & Haenfler, R. (2010). Musical genre as a gendered process: Authenticity in extreme metal. Studies in Symbolic Interaction, 35, 101–121.
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