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Citations
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Beccasino, Á. (1989). M-19, el heavy metal latinoamericano. Bogotá: Fondo Editorial Santodomingo.
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Beccassino, A. (1989). M-19, el heavy metal latinoamericano. Bogotá: Fundación Editorial Santo Domingo.
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Bechtold, G. (2008). Die Heavy Metal Kultur in bildender Kunst und Musik: Fachwissenschaftliche und fachdidaktische Aspekte. Saarbrücken: VDM Verl. Dr. Müller.
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Becker, T. (2001). Die Musikrichtung Heavy Metal. Entstehung und Arten am Beispiel von Bands. München: GRIN Verlag.
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Benefield, A. J. (2020). Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work. Master's thesis, Stephen F. Austin State University, Nacogdoches.
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Berelian, E. (2005). The rough guide to heavy metal. London & New York: Rough Guides.
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Berger, H. M. (1997). The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer. Ethnomusicology; Champaign, 41(3), 464–488.
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Berger, H. M. (1999). Death metal tonality and the act of listening. Popular Music, 18(2), 161–178.
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Berger, H. M. (1999). Metal, rock, and jazz: perception and the phenomenology of musical experience. Delaware: Wesleyan University Press.
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Berger, H. M., & Fales, C. (2005). ”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features. In P. D. Greene, & T. Porcello (Eds.), Wired for sound: engineering and technologies in sonic cultures (pp. 181–197). Middletown: Wesleyan University Press.
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