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Benefield, A. J. (2020). Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work. Master's thesis, Stephen F. Austin State University, Nacogdoches.
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Berelian, E. (2005). The rough guide to heavy metal. London & New York: Rough Guides.
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Berger, H. M. (1997). The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer. Ethnomusicology; Champaign, 41(3), 464–488.
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Berger, H. M. (1999). Death metal tonality and the act of listening. Popular Music, 18(2), 161–178.
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Berger, H. M. (1999). Metal, rock, and jazz: perception and the phenomenology of musical experience. Delaware: Wesleyan University Press.
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Berger, H. M., & Fales, C. (2005). ”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features. In P. D. Greene, & T. Porcello (Eds.), Wired for sound: engineering and technologies in sonic cultures (pp. 181–197). Middletown: Wesleyan University Press.
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Berkers, P., & Schaap, J. (2015). YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers. Metal Music Studies, 1(3), 303–318.
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Berkers, P., & Schaap, J. (2016). Gender Inequality in Metal Music Production. London: Emerald.
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Blanchet, P. (1985). Heavy metal story: la Bible du Hard Rock. Paris: Calmann-Lévy.
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Blázquez Cruz, L., & Buil Tercero, P. (2019). Estrategias publicitarias en el discurso literario y audiovisual. Persuasión y performatividad idílica a través de la metáfora. El caso de «Silvera» (Gojira). In F. Galicia Poblet (Ed.), Heavy y metal, a través del cristal. Nuevas perspectivas culturales (pp. 215–242). Madrid: Apache Libros.
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