| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Beckmayer, Sonja |
“Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal |
2024 |
Praktische Theologie |
59 |
58-65 |
|
|
|
Belén Calvo, Manuela |
La construcción de la identidad metálica auténcia en la escena argentina |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
245-266 |
|
|
|
Bernal, Manuel |
MURMULLOS INQUIETANTES EN LA ORILLA. IMPRESIONES EN TORNO A LA VITALIDAD DE UN DEBATE |
2022 |
Metal de Habla Hispana |
1 |
113-117 |
|
|
|
Bleile, MaryLena; Luedeker, Bianca; Patterson, Charles B. |
A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West |
2022 |
Metal Music Studies |
8 |
327-350 |
|
|
|
Boughali, Khalil |
Thoughts on Black Metal |
2022 |
|
|
|
|
|
|
Boughali, Khalil |
Réflexions sur le black metal |
2021 |
|
|
|
|
|
|
Brown, Andy R. (ed) |
Who Do We Think They Are? Deep Purple and Metal Studies |
2024 |
|
|
|
|
|
|
Burke, David |
Esoteric Symbolism in Doom Metal |
2016 |
|
|
|
|
|
|
Burkhardt, Guga |
Arte extrema para olhos atentos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
187-202 |
|
|
|
Burns, Lori |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
2023 |
Analyzing Recorded Music: Collected Perspectives |
|
323–338 |
|
