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Russo, J. (2014). Perpetue Putesco – Perpetually I Putrefy. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 93–104). s. l.: s. i.
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Sanchino Martínez, E. (2019). Drastik und Metal – SLAYERs Reign in Blood. In DRASTIK Zur Logik und Ästhetik eines populärkulturellen Paradigmas (pp. 187–266). Münster: readbox unipress.
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Scaricaciottoli, E., & Minore, G. (Eds.). (2021). Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano. Buenos Aires: Clara Beter Ediciones.
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Scott, N., & Shakespeare, S. (2015). The swarming logic of inversion and the elevation of Satan. Helvete: A Journal of Black Metal Theory, 2, 1–12.
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Scott, N. W. R. (2016). Absurd Communities of Misanthropic Paradox Destruction: You Play and We’ll Destroy the House. In N. Varas-Díaz, & N. Scott (Eds.), Heavy Metal Music and the Communal Experience (pp. 23–36). Lanham, Boulder, New York & London: Lexington Books.
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Sellheim, N. (2016). Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic. The Polar Record, 52(5), 509–517.
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Shakespeare, S. (2014). The light that illuminates itself, the dark that soils itself: Blackened notes from Schelling’s Underground. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 5–22). s. l.: s. i.
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St-Laurent, M. - R. (2016). Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh. Metal Music Studies, 2(1), 87–108.
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Stephanou, A. (2014). Playing Wolves and Red Riding Hoods in Black Metal. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 157–170). s. l.: s. i.
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Stosuy, B. (2014). Meaningful Leaning Mess. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 143–156). s. l.: s. i.
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