|
Faria, F. C. de. (2022). Roots and Routes: The Cultural Politics and Translocality of Hip Hop and Heavy Metal. Doctoral thesis, Universidade Federal de Santa Catarina, Florianópolis.
|
|
|
Fletcher, K. F. B. (2019). Vergil’s Aeneid and Nationalism in Italian Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 23–52). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
|
|
|
Foster, L. (2011). The Rhetoric of Heavy Metal Resistance: Musical Modalities in Iraqi Public Life. Middle East Journal of Culture and Communication, 4(3), 320–338.
|
|
|
Goodrick-Clarke, N. (2003). White Noise and Black Metal. In Black Sun: Aryan Cults, Esoteric Nazism, and the Politics of Identity (pp. 193–212). New York: NYU Press.
|
|
|
Hagen, R. (2011). Musical style, ideology, and mythology in Norwegian black metal. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 180–199). Durham: Duke University Press.
|
|
|
Halnon, K. B. (2006). Heavy Metal Carnival and Dis-alienation: The Politics of Grotesque Realism. Symbolic Interaction; Hoboken, 29(1), 33–48.
|
|
|
Haukkala, H. (2015). The Role Of Loud Popular Music In Revolutionary Social And Political Processes:Some Initial Conceptual Ideas. In K. Kärki, & T. - M. Karjalainen (Eds.), Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland (pp. 70–78). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
|
|
|
Haukkala, H. (2017). Ripe for revolution? The role of loud popular music in revolutionary social and political processes. Metal Music Studies, 3(3), 387–403.
|
|
|
Hendricks, C. C. (2017). Bang your head to the ‘beat’ of non-conformity. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
|
|
|
Herz, G. F. (2008). Pura fusión: eugenesia, nacionalismo y (cierto) heavy metal. In M. Ugarte, & L. Sanjurjo (Eds.), Emergencia: cultura, música y política (pp. 145–160). Buenos Aires: Ediciones del Centro Cultural de la Cooperación Floreal Gorini.
|
|