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Rivera-Segarra, E., Varas-Díaz, N., Mendoza, S., & Díaz, X. (2018). Morbo ancestral: Reformulando la cultural local a través de la música metal en Puerto Rico. Metal Music Studies, 4(1), 165–174.
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Robertson, W. (2022). Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene. Parergon, 39(1), 79–104.
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Saguar García, A. (2019). The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing down the gauntlet (pp. 93–106). London: Emerald.
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Scott, N. (Ed.). (2010). The metal void: first gatherings. Oxford: Inter-Disciplinary Press.
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Spanu, M. (2015). Global noise, local language: A socio-anthropological approach of the language choice in underground French metal. In T. - M. Karjalainen (Ed.), Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland (pp. 122–130). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Spracklen, K. (2016). What did the norwegians ever do for us? Actor-network theory, the second wave of black metal and the imaginary community of heavy metal. In N. Varas-Díaz, & N. Scott (Eds.), Heavy Metal Music and the Communal Experience (pp. 151–168). Lanham, Boulder, New York & London: Lexington Books.
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Spracklen, K. (2017). ‘Yours is the Earth and everything that’s in it, and – which is more – you’ll be a man, my son’: Myths of British masculinity and Britishness in the construction and reception of Iron Maiden. Metal Music Studies, 3(3), 405–419.
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Spracklen, K. (2019). Afterword. Being Metal, Being Australian? Reflections and an Afterword. In C. Hoad (Ed.), Australian Metal Music (pp. 145–148). London: Emerald.
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Spracklen, K., Lucas, C., & Deeks, M. (2014). The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England. Popular Music and Society, 37(1), 48–64.
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Stoop, D. C. (2015). Germanen, Trolle und Nazis. Thematisierungen des Nationalen im Heavy Metal. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 33–48). Trier: Wvt.
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