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Núñez, M. de la L. (2021). Florecimiento extremo como reivindicación de género: mujeres que hacen metal en Lima. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 48–56). Buenos Aires: Clara Beter Ediciones.
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Oliveira, S. R. de, & Brayner, T. N. (2022). Feminilidades extremas: gênero, subjetivação e resistência nas letras de autoria de mulheres no metal extremo. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 344–380). São Paulo: Pimenta Cultural.
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Ollivier, R., Goupil, L., Liuni, M., & Aucouturier, J. - J. (2019). Enjoy The Violence: Is Appreciation for Extreme Music the Result of Cognitive Control Over the Threat Response System? Music Perception; Berkeley, 37(2).
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Olsem Kirk N., Powell, M., Anic, A., Vallerand, R. J., & Thompson, W. F. (2020). Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience. Musicae Scientiae, OnlineFirst.
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Ortiz Cora, L. E. (2020). La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock. Estudios sobre las culturas contemporáneas, 26(52), 93–109.
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Overell, R. (2021). Voicing the Real in Extreme Metal. Continental Thought & Theory, 3(3), 136–163.
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Overell, R. (2014). Affective intensities in extreme music scenes: cases from Australia and Japan. Basingstoke: Palgrave Macmillan.
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Paganus, A. (2022). Quando o Diabo veste verde: o vegetarianismo e a natureza ecoando no underground. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 38–74). São Paulo: Pimenta Cultural.
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Patterson, J. E. (2016). ‘Getting My Soul Back’: Empowerment Narratives and Identities among Women in Extreme Metal in North Carolina. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 245–260). New York & London: Routledge.
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Petrovic, P. (2017). Beyond ‘forms of aggression’: teaching extreme metal in the composition classroom. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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