Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Heesch, Florian |
Heavy Metal and Gender: An Introduction |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
1-10 |
| Heesch, Florian; Scott, Niall (eds) |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
2016 |
|
|
|
| Hereld, Diana Christine |
Musical Intensity in Affect Regulation: Uncovering Hope and Resilience Through Heavy Music |
2016 |
|
|
141 |
| Heritage, Gareth |
‘It’s like a Mach piece, really’: Critiquing the Neo-classical Aesthetic of 80s Heavy Metal Music |
2016 |
Global metal music and culture: current directions in metal studies |
|
50-67 |
| Heritage, Gareth |
Accept(ing) the other (Metallic[a]) hypermasculine image: Case studies towards an alternative understanding of hypermasculinity in the aesthetics of 1980s heavy metal |
2016 |
Metal Music Studies |
2 |
57-68 |
| Hickam, Brian |
A Shared Madness: The Joint Ownership of Heavy Metal History and Studies |
2016 |
Heavy Metal Music and the Communal Experience |
|
185-202 |
| Hill, Rosemary Lucy |
Gender, metal and the media: women fans and the gendered experience of music |
2016 |
|
|
|
| Hill, Rosemary Lucy |
Masculine Pleasure? Women’s Encounters with Hard Rock and Metal Music |
2016 |
Global metal music and culture: current directions in metal studies |
|
277-296 |
| Hill, Rosemary Lucy |
‘Power has a penis’: Cost reduction, social exchange and sexism in metal – reviewing the work of Sonia Vasan |
2016 |
Metal Music Studies |
2 |
263-271 |
| Hindrichs, Thorsten |
”Body Count’s in the House”: Challenging the US Working-Class Metal-Hero |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
109-120 |
