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Zulfiningrum, R., & Almayda, S. R. D. (2023). Metal Music as a Medium of Da'wah Communication (Album “7:172” Band Purgatory). Riwayat: Educational Journal of History and Humanities,, 6(2), 468–477.
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Zuleta Rodríguez, J. E. (2022). GUERRA Y METAL. UN ANÁLISIS HISTÓRICO DE LA CENSURA Y LA VIOLENCIA EN CONTRA DEL METAL EN EL DEPARTAMENTO DE QUICHÉ, GUATEMALA. Metal de Habla Hispana, 1, 56–59.
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Zapata, A. (2003). La voz en los ochenta. Nuevos estilos al baile. Pensamiento Crítico: Revista Electrónica de Historia, (3).
Abstract: Rock in Chile (1983 – 1992). Authors, styles, its industry, social function of its lyrics among others. Period studied is one in which this musical movement was revised and recast after a long period of marginalization in Chile.
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Zapata, A. (2022). Primer ataque sonoro-visual: Apropiación del metal en Santiago de Chile (1982-1993). Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras, 1(1).
Abstract: REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad.
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Zaddach, W. - G. (2021). “Dit is Berlin”: Local metal scene building and transformation in Berlin, Germany. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
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Yusof, A., & Johan, A. (2023). “Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s). In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 259–280). London: Lexington Books.
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Yrivarren Valverde, S. D. (2022). Construcción de los discursos de feminidad en la escena metalera limeña: Caso de la banda Strogena. Master's thesis, Pontificia Universidad Católica del Perú, Lima.
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Yildirim, Y. (2023). Heavy metal in Turkey: Tracking the tensions of democratization in the 1990s. Sociology Compass, 17, e13122.
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Yépez, J. (2022). Vivir adentro y en contra. Metaleros de las ciudades de Lima (2016) y Huánuco (2010) Perú. PLURIVERSIDAD, 10(n/a), 73–100.
Abstract: RESUMEN
El siguiente trabajo de investigación tuvo como objetivo el análisis de dos trabajos de campo de mi autoría en dos momentos diferentes 2016 (Lima) y 2010 (Huánuco). “En ambos trabajos se hizo uso de la encuesta y la entrevista a profundidad a una muestra no probabilística de 23 personas en el caso de Lima y 30 personas en el caso de Huánuco” (Yépez, J.2011; Yépez, J. 2017b). En el análisis comparativo de ambas investigaciones podemos concluir que la reproducción de la colonialidad del poder y el nudo arguediano (identidad-modernidad-democracia) son las trabas para el desarrollo de las comunidades juveniles en el Perú.
[The following research work had as objective the analyze two field works of my authorship at two different times: 2016 (Lima) and 2010 (Huánuco). “In both works, the survey and the in-depth interview were used with a non-probabilistic sample of 23 people in the case of Lima and 30 people in the case of Huánuco” (Yépez, J. 2011; Yépez, J. 2017b) In the comparative analysis of both investigations we can conclude that the reproduction of the coloniality of power and the argued knot (identity-modernity-democracy) are the obstacles for the development of youth communities in Peru.]
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Yépez Aguirre, J. R. (2019). La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014. Pluriversidad, (3), 21.
Abstract: This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out.
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