Records |
Author ![sorted by Author field, descending order (down)](img/sort_desc.gif) |
Yépez Aguirre, Jimmy Renzo |
Title |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
Type |
Journal Article |
Year |
2017 |
Publication |
Anales Científicos |
Abbreviated Journal |
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Volume |
78 |
Issue |
2 |
Pages |
80-91 |
Keywords |
Individualization; commodification; fetishization; rock; metal; habitus; field; consumer Society |
Abstract |
This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research. |
Address |
https://revistas.lamolina.edu.pe/index.php/acu/issue/view/70 |
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Thesis |
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Publisher |
Universidad Nacional Agraria La Molina, Lima - Perú |
Place of Publication |
Lima, República del Perú |
Editor |
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Language |
Spanish |
Summary Language |
English |
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ISSN |
Print: 0255-0407 / Online: 2519-7398 |
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no |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2283 |
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Author ![sorted by Author field, descending order (down)](img/sort_desc.gif) |
Yepes Aguirre, Jimmy Renzo |
Title |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
Type |
Journal Article |
Year |
2013 |
Publication |
Investigaciones Sociales |
Abbreviated Journal |
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Volume |
17 |
Issue |
30 |
Pages |
279-290 |
Keywords |
Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú |
Abstract |
Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. |
Address |
https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 |
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Publisher |
Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales |
Place of Publication |
Lima, República del Perú |
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ISSN |
Print: 1560-9073 / Online: 1818-4758 |
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PDF |
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no |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2284 |
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Author ![sorted by Author field, descending order (down)](img/sort_desc.gif) |
Yang, Zixuan |
Title |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
Type |
Book Whole |
Year |
2019 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
179 |
Keywords |
Service design; Subculture; Music; Heavy metal; Marketing; Business strategy |
Abstract |
Since the first album that Black Sabbath released in 1970, the 50-year-long history of heavy metal music makes it has developed into a diversified but controversial subculture all over the world. Even though several big names, such as Metallica, Iron Maiden or Judas Priest, have gained commercial success and mainstream exposure, most of the heavy metal bands, fans and communities are still far from a stable status. The market scale is threatened by poor social acceptance and incorrect stereotypes and is too limited to develop an operational model for heavy metal music communities as mature as mainstream music production in this current state. The goal of this thesis is to: 1) explore the core value of heavy metal subculture and design an organizational strategy to strengthen the connection between various roles within the community. The research was divided into three parts. The first part is the quantitative research on the development of heavy metal music in different regions, shows the regional trends of heavy metal subculture. The second part is the qualitative evaluation of heavy metal albums’ covers and lyrics, and documentary films about heavy metal music. The third part is the interviews with record shop owners. The first part Borrowing the CIS (Corporation Identity System) from the business field, the data collected during the second stage could be categorized into visual identities, communication identities, and behavior identities. The data collected from interviews are organized into a system map to show the current organizational strategy. The conclusion, this thesis proposes a new type of organizational strategy that supports the local heavy metal subculture community, in order to help stabilize the market and strengthen connections of community members through participation in it. Furthermore, inspired by the proposed strategy, more universal strategies and guidelines for other types of subculture are discussed. |
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Thesis |
Master's thesis |
Publisher |
University of Cincinnati |
Place of Publication |
Ann Arbor |
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ISBN |
9781687936882 |
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no |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2200 |
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Author ![sorted by Author field, descending order (down)](img/sort_desc.gif) |
X⁂Ø⁂ |
Title |
Sustain/Decay |
Type |
Book Chapter |
Year |
2017 |
Publication |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
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Volume |
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Issue |
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Pages |
60-69 |
Keywords |
Drone metal |
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Publisher |
Void Front Press |
Place of Publication |
St. Louis |
Editor |
Coggins, Owen; Harris, James |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2175 |
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Author ![sorted by Author field, descending order (down)](img/sort_desc.gif) |
Wolfe, Kristina |
Title |
Insoluminance |
Type |
Book Chapter |
Year |
2017 |
Publication |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
70-85 |
Keywords |
Drone metal |
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Publisher |
Void Front Press |
Place of Publication |
St. Louis |
Editor |
Coggins, Owen; Harris, James |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2172 |
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Author ![sorted by Author field, descending order (down)](img/sort_desc.gif) |
White, Frank; Tecchio, Alan |
Title |
Jersey Metal: A History of the Garden State's Heavy Metal Scene Volume One (1969-1986) |
Type |
Book Whole |
Year |
2022 |
Publication |
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Issue |
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Pages |
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Keywords |
United States; Western scenes |
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Publisher |
BookBaby |
Place of Publication |
self-published |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2371 |
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Author ![sorted by Author field, descending order (down)](img/sort_desc.gif) |
Whalen, Kayley Margarite |
Title |
Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives |
Type |
Book Chapter |
Year |
2024 |
Publication |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
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Pages |
162-178 |
Keywords |
Disability; Neurodivergence; Goth scene; Narratives |
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Publisher |
Intellect |
Place of Publication |
Bristol |
Editor |
Shadrack, Jasmine Hazel; Kahn-Harris, Keith |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2565 |
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Author ![sorted by Author field, descending order (down)](img/sort_desc.gif) |
Welles, Petra |
Title |
Heavy Metal als (Frauen-)Beruf und Bildungsprozess |
Type |
Journal Article |
Year |
2024 |
Publication |
Magazin erwachsenenbildung.at. Das Fachmedium für Forschung, Praxis und Diskurs |
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Volume |
51 |
Issue |
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Pages |
123-131 |
Keywords |
Female musicians; Music training; Management; Networking |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2550 |
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Author ![sorted by Author field, descending order (down)](img/sort_desc.gif) |
Weber, Joe |
Title |
Ronnie James Dio: the man on the silver mountain |
Type |
Journal Article |
Year |
2024 |
Publication |
Journal of Maps |
Abbreviated Journal |
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Volume |
20 |
Issue |
1 |
Pages |
2349164 |
Keywords |
Ronnie James Dio (artist); Concerts |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2567 |
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Author ![sorted by Author field, descending order (down)](img/sort_desc.gif) |
Watts, Chelsea Anne |
Title |
Nothin' But a Good Time: Hair Metal, Conservatism and the End of the Cold War in the 1980s |
Type |
Book Whole |
Year |
2016 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
232 |
Keywords |
Communication and the arts; Free market capitalism; Gender studies; Glam metal; Masculinity; Popular culture; Reagan era; Rock and roll; United States history |
Abstract |
This dissertation offers a cultural history of the 1980s through an examination of one of the decade’s most memorable cultural forms—hair metal. The notion that hair metal musicians, and subsequently their fans, wanted “nothin’ but a good time,” shaped popular perceptions of the genre as shallow, hedonistic, and apolitical. Set against the backdrop of Reagan’s election and the rise of conservatism throughout the decade, hair metal’s transgressive nature embodied in the performers’ apparent obsession with partying and their absolute refusal to adopt the traditional values and trappings of “yuppies” or middle-class Americans, certainly appeared to be a strong reaction against conservatism; however, a closer examination of hair metal as a cultural form reveals a conservative subtext looming beneath the genre’s transgressive façade. In its embrace of traditional gender roles, free market capitalism, and American exceptionalism, hair metal upheld and worked to re-inscribe the key tenants of conservative ideology.
Historians have only recently turned an analytical eye toward the 1980s and by and large their analyses have focused on the political and economic changes wrought by the Reagan Revolution that competed America’s conservative turn over the course of the decade. This study adds to historical understandings of the decade’s political history by telling us how non-political actors—musicians, producers, critics, and fans—shaped and were shaped by the currents of formal politics. Though heavy metal music and the rise of conservatism seem to share little common ground, by putting these two seemingly disparate historiographies into conversation with one another, we gain a clearer picture of the breadth and depth of conservatism’s reach in the 1980s. |
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Corporate Author |
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Thesis |
Ph.D. thesis |
Publisher |
University of South Florida |
Place of Publication |
Ann Arbor |
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ISBN |
978-1-369-42831-5 |
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no |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2218 |
Permanent link to this record |