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Citations
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Ayik, I. (2010). Pentagram (a.k.a. Mezarkabul): Founders of Turkish heavy metal. In N. Scott (Ed.), The metal void: first gatherings (pp. 293–300). Oxford: Inter-Disciplinary Press.
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Azevedo, C. (2010). Metal in Rio de Janeiro 1980’s-2008: an overview. In N. Scott (Ed.), The metal void: first gatherings (pp. 331–340). Oxford: Inter-Disciplinary Press.
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Azevedo, C. (2012). Metal in Rio de Janeiro 1980’s-2008: an overview. In N. Scott (Ed.), Reflections in the Metal Void (pp. 89–100). Oxford: Inter-Disciplinary Press.
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Azevedo, C. (2007). Subg??neros De Metal No Rio De Janeiro A Partir Da D??Cada De 1980. Cadernos do Colóquio, 7(1).
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Bajko, M. (2020). Literatura piękna w tekstach utworów artystów polskiej sceny metalowej [Fiction in the texts of works by artists of the Polish metal scene]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 9–28). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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Banchs, E. (2016). Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity. Metal Music Studies, 2(3), 311–324.
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Banchs, E. (2021). From The Ashes of the Fallen Empire: Heavy Metal and Community in Post-Apartheid South Africa. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
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Banchs, E. (2022). Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa. Bristol: Intellect.
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Bardine, B., & Stueart, J. (Eds.). (2021). Living Metal: Metal Scenes around the World. Bristol; Portland: Intellect.
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Barone, S. (2015). Metal Identities In Tunisia: Locality, Islam, Revolution. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 185–194). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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