Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Svetlova, Anna |
The poet who failed his best play? Podmiot mówiący w utworach zespołu Nightwish wobec paradygmatu romantycznego [The poet who failed his best play? Speaking subject in the tracks of Nightwish in the face of the romantic paradigm] |
2018 |
Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura |
10 |
|
| Taylor, Matt |
メタリカ公式ビジュアルブック バック・トゥ・ザ・フロント |
2018 |
|
|
|
| Thompson, Christopher |
Norges Våpen Cultural Memory and Uses of History in Norwegian Black Metal |
2018 |
|
|
|
| Tolis, Sakis; Patterson, Dayal |
Non serviam: the official story of Rotting Christ |
2018 |
|
|
|
| Trott, Brian |
Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal |
2018 |
|
|
|
| Udarchik, Anastasia |
‘If you got a tape on, you’re committed’: The revival of cassette tapes in Toronto’s New Wave of Traditional Heavy Metal scene |
2018 |
Metal Music Studies |
4 |
41-59 |
| Vanek, Gabrielle |
Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust |
2018 |
Metal Music Studies |
4 |
573-583 |
| Varas-Díaz, Nelson; Azevedo, Claudia; Nevárez, Daniel |
Metal in Latin America |
2018 |
Metal Music Studies |
4 |
131-135 |
| Varas-Díaz, Nelson; González-Sepúlveda, Osvaldo; Rivera Amador, Andrés |
From the ‘Patio’ to the ‘Agency’: The emergence and structuring of metal music in revolutionary Cuba |
2018 |
Metal Music Studies |
4 |
137-146 |
| Vitolo, Eduardo |
Children of Doom |
2018 |
|
|
|
