Pelayo, M. P. (2021). Building “communitas” through symbolic performances: Mexican metal and the case of Cemican. Metal Music Studies, 7(1), 139–148.
|
Pérez Pelayo, M. (2021). El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal. Lenguas Radicales, 1(2), 7–18.
|
Pichler, P. (2021). The Paradoxical Usage of Austrian Dialects of German in Metal Music. In R. - L. Valijärvi, C. Doesburg, & A. DiGioia (Eds.), Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. (pp. 171–184). London: Emerald.
|
Pichler, P. (2021). Living Sonic Knowledge in South-Eastern Austria: The Sound History of the Metal Scene in Graz and Styria, c. 1980 to the Present. Living Metal: Metal Scenes around the World, .
|
Pichler, P. (2021). „Breaking the Law…!?“ Zur Rolle von Recht und Rechtsbezug in der Kulturgeschichte der steirischen Heavy Metal-Szene seit 1980. Graz Law Working Paper, .
|
Pilo, B. (2021). Émergence et essor du black metal en Norvège entre 1991 et 1999. Histoire, idéologie, musique. Ph.D. thesis, Université Rennes 2, Rennes.
|
Pisano, J. I., & Scarrone, L. (2021). Más allá del ocaso, emergen nuevas huestes. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 33–35). Buenos Aires: Clara Beter Ediciones.
|
Quinn, K., & Baines, D. (2021). Awesome metalcore therapy: using heavy metal music in therapeutic work with voices. In I. Parker, J. Schnackenberg, & M. Hopfenbeck (Eds.), The Practical Handbook of Hearing Voices: Therapeutic and creative approaches. Monmouth: PCCS Books.
|
Raditya, A. (2021). Membunuh Tradisi‘: Adegan Musik Metal Dan Subkultur Madura [Killing Tradition: Metal Music Scenes And Madurese Subcultures]. Sosial : Jurnal Penelitian Ilmu-Ilmu Sosial [Social: Journal of Social Sciences Research], 22(1), 31–42.
|
Radovanović, B. (2021). Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies. In B. Radovanović, M. Bralović, M. Radivojević, D. L. Mihajlović, & I. Medić (Eds.), Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity (pp. 97–110). Belgrade: Institute of Musicology SASA.
|