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Popoff, M., & Perri, D. (2011). The collector’s guide to heavy metal. Volume 4: the 00’s. Toronto: Collector’s Guide.
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Puri, S. (2011). Cycles of Metal and Cycles of Male Aggression: Ageing and the Changing Aggressive Impulse. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 101–110). Oxford: Inter-Disciplinary Press.
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Repp, A., Masurek, M., & Othmer, J. (2011). ”We don’t like to talk about political issues”: Metal-Lyrics als (sub-)kultureller Ausdruck in autoritären Systemen. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 32–44). Oberhausen: Schmenk.
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Richard, B., & Grünwald, J. (2011). Wilde Männer, frostige Räume und asoziale FanArt des Black Metals bei flickr, YouTube und Vimeo. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 43–53). Münster: Lit.
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Riches, G. (2011). Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality. Journal for Cultural Research, 15(3), 315–332.
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Rodrigues, R., & Oliveira, A. (2011). Death and Life: The Role of Music and Others. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 15–24). Oxford: Inter-Disciplinary Press.
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Rowe, P. (2011). Heavy Metal, Identity Work and Social Transitions: Implications for Young People’s Well Being in the Australian Context. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 79–92). Oxford: Inter-Disciplinary Press.
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Rubio, S. (2011). Metal extremo: 30 años de oscuridad (1981-2011). Lleida: Milenio.
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Samlhofer, A. (2011). Grindcore – eine ›extreme‹ Mutation des Metals? Zur Diskursivierung des Grindcore. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 207–224). Münster: Lit.
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Schäfer, F. (2011). Notes on Metal. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 23–37). Münster: Lit.
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