| Records |
Author  |
Drone Box |
| Title |
Cymatic Church |
Type |
Book Chapter |
| Year |
2017 |
Publication |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
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Issue |
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Pages |
122-127 |
| Keywords |
Drone Metal |
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| Publisher |
Void Front Press |
Place of Publication |
St. Louis |
Editor |
Coggins, Owen; Harris, James |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2177 |
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| Author |
Dukayev, Ali |
| Title |
Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices |
Type |
Book Whole |
| Year |
2023 |
Publication |
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Issue |
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Pages |
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| Keywords |
Kazahstan; Ethnology; Heteroglossia; Authenticiy |
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Thesis |
Master's thesis |
| Publisher |
Nazarbayev University |
Place of Publication |
Astana |
Editor |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2458 |
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| Author |
Eckerström, Pasqualina |
| Title |
Extreme heavy metal and blasphemy in Iran: the case of Confess |
Type |
Journal Article |
| Year |
2022 |
Publication |
Contemporary Islam |
Abbreviated Journal |
Cont Islam |
| Volume |
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Issue |
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Pages |
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| Keywords |
Transgression; Resistance; Extreme heavy metal; Blasphemy; Islam; Iran |
| Abstract |
Since the revolution in 1979, the Islamic Republic of Iran has imprisoned musicians, especially punk, hip-hop, and hard rock bands, as well as those playing heavy metal subgenres. Extreme heavy metal artists and fans emerged in the 1990s. The government soon targeted them as Satanists and began a systematic crackdown on metalheads. The metalcore band Confess is the most well-known case. The band was arrested in 2015 on counts of blasphemy, disturbing public opinion through the production of music, participating in interviews with the opposition media and propaganda against the Islamic Republic of Iran, among other charges. The majority of secular countries today do not consider extreme heavy metal to be transgressive. This is not the case in contexts where religious traditions have a significant influence on society. By analysing the narrative of the band Confess, the purpose of this paper is to provide an understanding of how Iranian extreme metal musicians resist religious oppression, challenge their government, religious precepts, and social values through their music. |
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Springer Nature Switzerland AG |
Place of Publication |
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| Language |
English |
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| Notes |
Open Access |
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2310 |
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| Author |
Eckerström, Pasqualina |
| Title |
The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria |
Type |
Book Chapter |
| Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
Abbreviated Journal |
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Issue |
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Pages |
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| Keywords |
Satanic Panic; Egypt; Iran; Syria |
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| Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2437 |
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| Author |
Efthymiou, Charalampos |
| Title |
The Laws of Metal and Music Analysis |
Type |
Book Chapter |
| Year |
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Publication |
The Law of the Metal Scene: An Interdisciplinary Discussion |
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Issue |
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Pages |
69-84 |
| Keywords |
Music Analysis; Law |
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| Publisher |
Kohlhammer |
Place of Publication |
Stuttgart |
Editor |
Pichler, Peter |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2575 |
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| Author |
El Harami, Said; Yachoulti, Mohammed |
| Title |
Youth Heavy Metal Bands in Morocco: Resistance and the Struggle for Change |
Type |
Journal Article |
| Year |
2023 |
Publication |
ESI Preprints |
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Issue |
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Pages |
742-777 |
| Keywords |
Morocco; Lyrics; Symbolism; Activism; Sociology |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2546 |
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| Author |
Evangelista Ávila, Iram Isaí |
| Title |
La recepción borgiana de At the Gates: refiguraciones, intertextualidades y heavy metal |
Type |
Journal Article |
| Year |
2021 |
Publication |
Impossibilia. Revista Internacional de Estudios Literarios |
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21 |
Issue |
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Pages |
237-261 |
| Keywords |
At the Gates (band); Intertextuality; Reception |
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es |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2115 |
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| Author |
Evangelista Ávila, Iram Isaí |
| Title |
Mihcailhuitl e Infierno, visiones del otro mundo interpretadas por Cemican y Luzbel |
Type |
Book Chapter |
| Year |
2021 |
Publication |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
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Pages |
113-120 |
| Keywords |
Cemican (band); Luzbel (band); Topics; Hell |
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| Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
Editor |
Scaricaciottoli, Emiliano; Minore, Gito |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2156 |
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| Author |
Evangelista Ávila, José Luis |
| Title |
Lo infernal y lo demoníaco como formas de subjetividad. Una lectura de las composiciones de Luzbel a partir de Kierkegaard y Sartre |
Type |
Book Chapter |
| Year |
2021 |
Publication |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
Abbreviated Journal |
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Issue |
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Pages |
121-127 |
| Keywords |
Luzbel (band); Philosophy; Hell; Demon; Existentialism |
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| Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
Editor |
Scaricaciottoli, Emiliano; Minore, Gito |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2157 |
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| Author |
Faingold, Noam. |
| Title |
Portfolio of compositions and technical commentary |
Type |
Book Whole |
| Year |
2015 |
Publication |
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Pages |
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| Keywords |
Bass instruments; Cultural heritage; Heavy metal; Middle Eastern music; Musical composition; Musical narratives |
| Abstract |
The six pieces in this portfolio explore contemporary musical narratives as if approached from a traditional outlook. In these pieces many harmonic and rhythmic processes (modal, serial,‘post-serial’ and minimalist) that emerged in Post-War music, as well as their resulting forms or modes of continuity interact with a traditionally grounded, intuitive approach to 'thematicism'. Another important topic in this music is an engagement with certain formal elements and mannerisms of contemporary popular, rock and dance music, and the ethnic musical traditions of my cultural heritage. Writing for string instruments informed by the composer’s personal experience as a double bass performer is a central concern of the thesis. Knife in the Water (for violin and cello) explores elements of heavy metal rhythms, Middle Eastern incantations, and free and strict meter. Bonaparte Born to Party (for mixed quintet) builds on the jagged heavy metal and dance elements found in Knife in the Water, subjecting some of the harmonic structures of the latter to a fairly strict process of transformation while relying to a much greater extent!on repetition.
A Poem is a Burning City (for ten players) explores the possibility of creating a sort of'modality' by means of timbre as well as the 'transformation of sonority' itself as a means for delineating a binary form. While its harmonic language shares many aspects with the earlier pieces, here they are no longer the main concern of the music, which relies primarily on ‘colour', 'sonority' and extensive 'repetition' for the unfolding of a slowly evolving texture. In the string quintet Everything is Amazing and Nobody is Happy, the Suite for solo violin and the Lullaby for double bass and orchestra, the type of explorations of colour and! sonority incipient in A Poem is a Burning City are extended and combined with the developmental processes and clear thematic and! melodic/harmonic!materials that characterise the earlier pieces. |
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Thesis |
Ph.D. thesis |
| Publisher |
University of London, King's College (United Kingdom) |
Place of Publication |
Ann Arbor |
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no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2227 |
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