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Trummer, M. (2011). Zerstörer, Trickster, Aufklärer. Die Traditionsfigur Teufel im Heavy Metal zwischen Action, Distinktion und neuer Spiritualität. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 431–443). Münster: Lit.
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Trummer, M. (2011). Sympathy for the Devil? Transformationen und Erscheinungsformen der Traditionsfigur Teufel in der Rockmusik. Münster: Waxmann.
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Valseca, A. (2011). Dio, la voz del heavy metal. Llinars del Vallès: Quarentena.
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Varas-Díaz, N. (2011). Can Progressive Metal’s Narrative Inform Social Stigma Theory? Pain of Salvation’s ”The Perfect Element” Parts 1 and 2 as Examples. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 41–50). Oxford: Inter-Disciplinary Press.
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Vasan, S. (2011). The Price of Rebellion: Gender Boundaries in the Death Metal Scene. Journal for Cultural Research, 15(3), 333–349.
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Viteri Morejón, J. P. (2011). Hardcore y metal en el Quito del siglo XXI. Ph.D. thesis, Facultad Latinoamericana de Ciencias Sociales (Ecuador), Quito.
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Wagenknecht, A. (2011). Das Böse mit Humor nehmen. Die Ernsthaftigkeit des Black Metal und deren ironisierende Aneignung am Beispiel von Fanclips auf YouTube. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 153–164). Münster: Lit.
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Waksman, S. (2011). Arenas of the imagination: global tours and the heavy metal concert in the 1970s. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 227–246). Durham: Duke University Press.
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Wall, M. (2011). Enter night: Metallica; the biography. London: Orion.
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Wallach, J. (2011). Unleashed in the East: metal music, masculinity, and ”malayness” in Indonesia, Malaysia, and Singapore. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 86–105). Durham: Duke University Press.
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