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Wallach, J., Berger, H. M., & Greene, P. D. (2011). Affective overdrive, scene dynamics, and identity in the global metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 3–33). Durham: Duke University Press.
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Wallach, J., Berger, H. M., & Greene, P. D. (Eds.). (2011). Metal rules the globe: heavy metal music around the world. Durham: Duke University Press.
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Wallach, J., & LeVine, A. (2011). “I want you to support local metal”: A theory of metal scene formation. Popular Music History, 6(1-2), 116–134.
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Walzl, M. (2011). Authentizitätskonzepte im Heavy Metal: wie aufklärerische Ansätze der Moderne postmodern gespielt werden. Ph.D. thesis, Universität Graz, Graz.
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Weinstein, D. (2011). How is Metal Studies possible? Journal for Cultural Research, 15(3), 243–245.
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Weinstein, D. (2011). The globalization of metal. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 34–62). Durham: Duke University Press.
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Weston, D. (2011). Basque Pagan Metal: View to a primordial past. European Journal of Cultural Studies, .
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Wilson, R. E., & Thomas, M. (2011). Textual Analysis of Song Lyrics Adopting a Mental Health Diagnostic Standard as Method. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 26–34). Oxford: Inter-Disciplinary Press.
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Winnerling, T. (2011). ”The same song and dance”. Kollektiver Individualismus und das Heavy Metal Universe. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 457–476). Münster: Lit.
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Wong, C. P. (2011). ”A dream return to Tang Dynasty”: masculinity, male camaraderie, and Chinese heavy metal in the 1990s. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 63–85). Durham: Duke University Press.
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