Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Hill, Rosemary Lucy |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
2022 |
Samples. Open Access Journal for Popular Music Studies |
20 |
197-210 |
| Hissen |
Score for a spatial composition |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
86-104 |
| Hoad, Catherine |
Polar Fate: Mapping Metal at the Southern Edge of the World |
2021 |
Living Metal: Metal Scenes around the World |
|
|
| Hoad, Catherine |
“Images and words”: Textual analysis and its uses for metal music studies |
|
The Bloomsbury Handbook of Popular Music and Youth Culture |
|
151-169 |
| Hoad, Catherine |
Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness” |
2023 |
Rock Music Studies |
t.b.c. |
|
| Hofer, Dave |
PERPETUAL CONVERSION: 30 Years and Counting in the Life of Metal Veteran Dan Lilker |
2014 |
|
|
|
| Hoffin, Kevin |
The Norwegian Black Metal Second Wave |
2023 |
|
|
27-38 |
| Holm, Christoffer |
Power Metal – Tre låtar jämförs och genrekonventioner diskuteras [Comparing three songs and discussing genre conventions] |
2023 |
|
|
|
| Holzbach, Ariane Diniz; Santos, Melina; Evangelista, Simone; Oliveira, Thaiane |
Heavy Metal X Funk: disputas de gênero na cultura pop a partir do canal Mamilos Molengas |
2015 |
Cultura pop |
|
131-150 |
| Höpflinger, Anna-Katharina |
In Red Sneakers to a Black Metal Concert? The “Laws” of the Metal Dress Code between Transgression and Convention |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
55-68 |
