| Records |
Author  |
Spracklen, Karl |
| Title |
What did the norwegians ever do for us? Actor-network theory, the second wave of black metal and the imaginary community of heavy metal |
Type |
Book Chapter |
| Year |
2016 |
Publication |
Heavy Metal Music and the Communal Experience |
Abbreviated Journal |
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| Volume |
|
Issue |
|
Pages |
151-168 |
| Keywords |
Norway; Black Metal; Sociology; Cultural Identity |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Lexington Books |
Place of Publication |
Lanham, Boulder, New York & London |
Editor |
Varas-Díaz, Nelson; Scott, Niall |
| Language |
en |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
978-1-4985-0639-7 |
Medium |
|
| Area |
|
Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ varas-diaz_what_2016 |
Serial |
77 |
| Permanent link to this record |
| |
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| |
| Author |
Spracklen, Karl |
| Title |
‘Yours is the Earth and everything that’s in it, and – which is more – you’ll be a man, my son’: Myths of British masculinity and Britishness in the construction and reception of Iron Maiden |
Type |
Journal Article |
| Year |
2017 |
Publication |
Metal Music Studies |
Abbreviated Journal |
|
| Volume |
3 |
Issue |
3 |
Pages |
405-419 |
| Keywords |
Gender; Cultural identity; Iron Maiden |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
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Place of Publication |
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Editor |
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| Language |
en |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
|
Edition |
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| ISSN |
2052-3998 |
ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ spracklen_yours_2017 |
Serial |
482 |
| Permanent link to this record |
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| |
| Author |
Spracklen, Karl |
| Title |
Afterword. Being Metal, Being Australian? Reflections and an Afterword |
Type |
Book Chapter |
| Year |
2019 |
Publication |
Australian Metal Music |
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
145-148 |
| Keywords |
Cultural Identity; Australia |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Emerald |
Place of Publication |
London |
Editor |
Hoad, Catherine |
| Language |
en |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
978-1-78769-168-1 |
Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hoad_afterword_2019 |
Serial |
508 |
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| |
| Author |
Spanu, Michael |
| Title |
Global noise, local language: A socio-anthropological approach of the language choice in underground French metal |
Type |
Book Chapter |
| Year |
2015 |
Publication |
Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland |
Abbreviated Journal |
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| Volume |
|
Issue |
|
Pages |
122-130 |
| Keywords |
France; Language; Sociology; Cultural Identity |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Aalto University & International Institute for Popular Culture |
Place of Publication |
Helsinki & Turku |
Editor |
Karjalainen, Toni-Matti |
| Language |
en |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ spanu_global_2015 |
Serial |
57 |
| Permanent link to this record |
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| |
| Author |
Souza, Leandro Candido de |
| Title |
Cartografias da cultura underground: o surgimento da subcultura heavy metal no ABC paulista e os deslocamentos da identidade suburbana |
Type |
Journal Article |
| Year |
2020 |
Publication |
História Revista |
Abbreviated Journal |
|
| Volume |
25 |
Issue |
3 |
Pages |
232-256 |
| Keywords |
Brazil; Non-Western scenes; Identity; Sociology |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
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Place of Publication |
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Editor |
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| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2035 |
| Permanent link to this record |
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| |
| Author |
Sikes, Laura |
| Title |
In the Groove: American Rock Criticism, 1966-1978 |
Type |
Book Whole |
| Year |
2017 |
Publication |
|
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
390 |
| Keywords |
American literature; Communication and the arts; Counterculture; Group identity; Journalism; Literature and linguistics; Music criticism; Music history; Nineteen sixties; Political discourse; Rock journalism; Rock music; Rolling Stone (magazine); United States history |
| Abstract |
Rock and roll music was a national youth obsession for more than ten years before the first rock critics began writing seriously about the form. Rock was dismissed by adult cultural authorities as empty, degraded, and even dangerous. However, to its fans, rock was an important form of personal expression, a source of group identity, and a mode of political discourse. Rock critics understood its cultural and political power. In their work, they explained its importance to the American public.
In 1966, the first rock critic, Richard Goldstein, began writing about rock and roll in a weekly column in the Village Voice called “Pop Eye.” In it, he asserted that rock and roll was an art that deserved the same recognition and protections afforded to other art forms. By 1967, The New Yorker hired Ellen Willis to write about rock in a regular column called “Rock, Etc.” She brought an intellectual sophistication to the genre that would resound long after her career as a rock critic ended. Later in 1967, Rolling Stone debuted; it would become the most visible and influential source of rock criticism for the next fifty years. Editor Jann Wenner’s tastes and approach would affect the way rock was perceived in his own time and for decades after. Finally, in 1968, Lester Bangs debuted onto the scene, writing artful reviews for publications like Creem and Rolling Stone, explaining the changes that were taking place as rock music splintered into subgenres like punk and heavy metal.
The quality of these rock critics’ thought and the influence of their writing makes rock criticism an important and under-studied branch of Sixties literature. Each of the rock critics addressed in this dissertation explained to the public what rock music meant and why it mattered. By placing rock in its social, political, and cultural context, they demonstrated that it was far from the empty form cultural authorities thought it was. Their work permanently changed perceptions of popular music, proving that it was substantial enough to stand up to the same kind of critical treatment as other art forms. |
| Address |
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| Corporate Author |
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Thesis |
Ph.D. thesis |
| Publisher |
University of Rochester |
Place of Publication |
Ann Arbor |
Editor |
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| Language |
|
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
978-0-355-39567-9 |
Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2208 |
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| |
| Author |
Shakespeare, Steven |
| Title |
Drone construction. Philosophy of identity in Conan's “Horseback Battle Hammer” |
Type |
Book Chapter |
| Year |
2017 |
Publication |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
Abbreviated Journal |
|
| Volume |
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Issue |
|
Pages |
202-213 |
| Keywords |
Drone Metal; Conan (band); Horseback battle hammer (album); Identity |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Void Front Press |
Place of Publication |
St. Louis |
Editor |
Coggins, Owen; Harris, James |
| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2184 |
| Permanent link to this record |
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| |
| Author |
Scott, Niall (ed) |
| Title |
The metal void: first gatherings |
Type |
Book Whole |
| Year |
2010 |
Publication |
|
Abbreviated Journal |
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| Volume |
|
Issue |
|
Pages |
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| Keywords |
Philosophy; Religion; Musicology; Gender; Sociology; Motifs; Textuality; Politics; Subgenre; Vikings; Neomedievalism; Cultural identity; Non-Western scenes; Extreme metal; Race; Ethics |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Inter-Disciplinary Press |
Place of Publication |
Oxford |
Editor |
Scott, Niall |
| Language |
en |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
978-1-904710-87-5 |
Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ scott_metal_2010 |
Serial |
24 |
| Permanent link to this record |
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| |
| Author |
Scaricaciottoli, Emiliano; Minore, Gito (eds) |
| Title |
Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
Type |
Book Whole |
| Year |
2021 |
Publication |
|
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Non-Western Scenes; Latin America; Sociology; Rhetoric; Aesthetics; Music Industry; Gender; Politics; Identity; Postcolonialism; Philosophy; Theology |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
Editor |
Scaricaciottoli, Emiliano; Minore, Gito |
| Language |
sp |
Summary Language |
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Original Title |
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| Series Editor |
|
Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
978-987-4167-76-7 |
Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2113 |
| Permanent link to this record |
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| |
| Author |
Saguar García, Amaranta |
| Title |
The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal |
Type |
Book Chapter |
| Year |
2019 |
Publication |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
93-106 |
| Keywords |
Spain; Motifs; Cultural Identity; Neomedievalism; Nationalism; Rodrigo Díaz de Vivar; El Cid |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Emerald |
Place of Publication |
London |
Editor |
Barratt-Peacock, Ruth; Hagen, Ross |
| Language |
en |
Summary Language |
|
Original Title |
|
| Series Editor |
|
Series Title |
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Abbreviated Series Title |
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| Series Volume |
|
Series Issue |
|
Edition |
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| ISSN |
|
ISBN |
978-1-78756-396-4 |
Medium |
|
| Area |
|
Expedition |
|
Conference |
|
| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ barratt-peacock_return_2019 |
Serial |
90 |
| Permanent link to this record |
