Records |
Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Bona, Michelle |
Title |
Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture |
Type |
Book Whole |
Year |
2021 |
Publication |
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Volume |
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Issue |
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Pages |
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Keywords |
Women musicians; Race; Masculinity |
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Address |
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Thesis |
Master's thesis |
Publisher |
Saint Mary's University |
Place of Publication |
Halifax |
Editor |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2101 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Boughali, Khalil |
Title |
Réflexions sur le black metal |
Type |
Book Whole |
Year |
2021 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
Black Metal |
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Publisher |
Independently published |
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ISBN |
979-8583481453 |
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Notes |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2297 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Brown, Andy R. |
Title |
Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980‐91: Part one 1980‐85 |
Type |
Journal Article |
Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
1 |
Pages |
61-84 |
Keywords |
Rolling Stone (magazine) |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2060 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Brown, Andy R. |
Title |
Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91 |
Type |
Journal Article |
Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
2 |
Pages |
257-276 |
Keywords |
History (metal music); Perception of metal music; Rolling Stone (magazine) |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2128 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Burns, Lori A.; Armstrong, Patrick |
Title |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
Type |
Journal Article |
Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
3 |
Pages |
357-382 |
Keywords |
Pain of Salvation (band); The Perfect Element (album); Subjectivity; Musicology |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2132 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Calvo, Manuela |
Title |
Ricardo Iorio e e metal argentino: uma genealogia dos seus nacionalismos |
Type |
Journal Article |
Year |
2021 |
Publication |
Tropos: Comunicação, Sociedade e Cultura |
Abbreviated Journal |
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Volume |
10 |
Issue |
2 |
Pages |
s.p. |
Keywords |
Nationalism; Argentina; Ricardo Iorio (musician); Politics |
Abstract |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2240 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Cárdenas Azuaje, Diana María |
Title |
MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ |
Type |
Book Chapter |
Year |
2021 |
Publication |
Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
355-393 |
Keywords |
Bogotá; música Metal; mujeres; representaciones sociales |
Abstract |
El presente texto muestra los hallazgos de la investigación “Representaciones sociales de la mujer en la cultura del Metal en Bogotá”, tesis de maestría presentada en la Universidad Distrital Francisco José de Caldas en 2012. Dicha investigación fue de corte cualitativo y abordó la perspectiva teórica estructural de las Representaciones Sociales (RS) de Jean Claude Abric (2001). Con ese constructo se determinaron el núcleo central (idea estable y organizadora) y los elementos periféricos (idea flexible auxiliar del núcleo) para las categorías: Mujer y Metal.
Para el estudio, se recurrió a la recolección e interpretación de 19 entrevistas semiestructuradas que se realizaron en Bogotá – Colombia. Las participantes son mujeres escuchas e intérpretes de música Metal con diversas características. En el análisis de instrumentos, se identificaron varios términos con alta frecuencia de reiteración (fuerza, vida, valentía y música), que se agruparon por semejanza, contigüidad o contraste, relacionados con la vivencia de la música Metal desde la perspectiva de las mujeres.
Los hallazgos se presentan relacionados a las categorías: 1. Mujer, asociada a cuatro núcleos: superficialidad, espiritualidad, liberación, pautas restrictivas. 2. Metal, que tiene como núcleos cultura/contracultura, machismo, Identidad/gusto, música, ritmo e interpretación. Así mismo se encontró (entre otras cuestiones) que las entrevistadas definen al Metal, como cultura en tanto genera elementos identitarios a partir de preferencias musicales, rituales, territorios, lenguajes, indumentarias y significados. Las mujeres del medio realizan una “transformación” frente a algunos parámetros de feminidad difundidos tradicionalmente consolidando una especie de feminidad transgresora. |
Address |
https://imaginariosyrepresentaciones.com/miembros/diana-maria-cardenas-azuaje/ |
Corporate Author |
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Thesis |
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Publisher |
Red Iberoamericana de Academias de Investigación, A.C. (978-607-99621) |
Place of Publication |
XALAPA, VERACRUZ, MÉXICO |
Editor |
ELIZABETH BALLÉN GUACHETÁ; LUIS ENRIQUE PÉREZ MÉNDEZ; SINDY PAOLA DÍAZ BETTER; DIANA MARÍA CÁRDENAS AZUAJE |
Language |
Spanish |
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Original Title |
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Series Editor |
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Series Title |
Colección Imaginarios y Representaciones |
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Edition |
First |
ISSN |
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ISBN |
978-607-99388-5-7 |
Medium |
PDF |
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Notes |
See also INTRODUCCIÓN, pages 1-19. www.redibai.org; redibai@hotmail.com |
Approved |
no |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2288 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Carmona Campo, Andrés |
Title |
Filosofía y heavy metal |
Type |
Book Whole |
Year |
2021 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
Philosophy |
Abstract |
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Address |
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Thesis |
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Publisher |
Laetoli |
Place of Publication |
Pamplona |
Editor |
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Language |
Spanish |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
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ISBN |
978-84-121856-9-0 |
Medium |
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Notes |
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Approved |
no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2104 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Cecchini, Flavio M.; Franzino, Greta H.; Passarotti, Marco C. |
Title |
Verba Bestiae: How Latin Conquered Heavy Metal |
Type |
Book Chapter |
Year |
2021 |
Publication |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
241-261 |
Keywords |
Latin |
Abstract |
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Thesis |
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Publisher |
Emerald |
Place of Publication |
London |
Editor |
Valijärvi, Riitta-Liisa; Doesburg, Charlotte; DiGioia, Amanda |
Language |
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ISBN |
978-1-83909-949-6 |
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no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ valijarvi_verba_2021 |
Serial |
1943 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Chaker, Sarah |
Title |
Im Höllen-Labyrinth des Metal |
Type |
Book Chapter |
Year |
2021 |
Publication |
Die Hölle der Spätmoderne: Überlegungen zu Praktiken und Funktionen beständiger Jenseitsadressierung in einer dunklen Musikkultur |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
319-342 |
Keywords |
Hell |
Abstract |
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Address |
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Corporate Author |
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Thesis |
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Publisher |
Transcript |
Place of Publication |
Bielefeld |
Editor |
Dimbath, Oliver; Friedrich, Lena M.; Gebhardt, Winfried |
Language |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2110 |
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