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Deyhle, D. (1998). From Break Dancing to Heavy Metal: Navajo Youth, Resistance, and Identity. Youth & Society, 30(1), 3–31.
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Doesburg, C. (2021). The Adaptation and Appropriation of the “Kalevala” and Folk Poetry in Finnish Metal Music. Ph.D. thesis, University of London, London.
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Downing, D. (2012). Defending the Realm: National Identity, Heritage and Nationalism in Black Metal. Ph.D. thesis, Hull College, Hull.
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Elovaara, M. (2017). Thor and trolls, flutes and fiddles: ”folk” in metal. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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Faria, F. C. de. (2022). Roots and Routes: The Cultural Politics and Translocality of Hip Hop and Heavy Metal. Doctoral thesis, Universidade Federal de Santa Catarina, Florianópolis.
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Ferrarese, M. (2015). Heavy Metal Nothingness: Alluring Foreignness And Authenticity Construction In Early 2010s Malaysian Metal. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 195–205). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Folgueira Lombardero, P. (2010). La idea de historia en el heavy metal español. Tiempo y Sociedad, 3, 5–41.
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Frangioni, T., Masina, F., Pieroni, G., & Venturella, M. (2018). Son(g)s of Darkness: Identities in Italian Black Metal. In T. - M. Karjalainen (Ed.), Sounds of origin in heavy metal music (pp. 71–94). Cambridge: Cambridge Scholars Publishing.
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Glitsos, L. (2019). Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime. In C. Hoad (Ed.), Australian Metal Music (pp. 91–110). London: Emerald.
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Grant, S. (2016). From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives. Metal Music Studies, 2(2), 215–232.
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