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Author  |
Nevárez Araújo, Daniel; Susane Hécate |
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Title |
An Interview on “Contar/Cantar Memórias da Resistência” |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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189-200 |
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Keywords |
Interview; Miasthenia (band) |
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Lexington Books |
Place of Publication |
London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2430 |
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Author |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson |
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Title |
Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries |
Type |
Book Chapter |
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Year |
2022 |
Publication |
Music, Sound, and Documentary Film in the Global South |
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Pages |
89-112 |
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Keywords |
Latin America; Documentary films |
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Abstract |
Description of entire book:
“Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project.
Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.” (source: Lexington Books) |
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https://rowman.com/Action/SERIES/LEX/LEXEXSS |
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Publisher |
Lexington Books |
Place of Publication |
Lanham, Maryland |
Editor |
Ballengee, Christopher L. |
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Language |
English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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978-1-66690-295-2, 978-1-66690-296-9 |
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Hardback |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2521 |
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Author |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Title |
Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies |
Type |
Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Pages |
1-6 |
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Keywords |
Global South |
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Publisher |
Lexington Books |
Place of Publication |
London |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2422 |
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Author |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Title |
Metal Music in the Distorted South: A Call for Defiance and Reflection |
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Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Issue |
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Pages |
9-30 |
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Keywords |
Global South; Politics; Inequality |
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Publisher |
Lexington Books |
Place of Publication |
London |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2423 |
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Author |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Title |
Epilogue: Metal Unbound |
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Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Pages |
387-390 |
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Keywords |
Conclusions |
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Publisher |
Lexington |
Place of Publication |
London |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2441 |
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Author |
Nink, Theresa; Heesch, Florian |
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Title |
Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs |
Type |
Journal Article |
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Year |
2023 |
Publication |
Arts |
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Volume |
12 |
Issue |
1 |
Pages |
38 |
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Keywords |
Gender; Ballad; Sentimentality |
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ISSN |
2076-0752 |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2444 |
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Author |
Núñez, Exequiel |
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Title |
No todo fue sangre y vísceras: el metal extremo en Argentina en la década de 1990 |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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1 |
Issue |
1 |
Pages |
10-11 |
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Abstract |
Exequiel Nuñez (Morón, Buenos Aires, Argentina, 1972). Es profesor de Historia y de Geografía (UBA). En 1994, editó su primer fanzine, Tribal. En 1995, co-fundó el sello Stormsouls. A partir de 1997, fue redactor en las revistas Epopeya, Grinder (edición argentina), Maelström, Rock Brigade (versión en castellano), Requiem y actualmente colabora en Jedbangers. Desde 2016, lleva adelante la fanpage de Facebook La historia del metal extremo en Argentina.
Contacto: exequielmesmer@gmail.com
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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español |
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ISSN |
2953-3805 |
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PDF |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2374 |
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Author |
Núñez, María de la Luz |
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Title |
De Conan a símbolo de raza y nación : desarrollo e implicancias de la masculinidad de protesta de la figura del guerrero vikingo en los inicios del metal vikingo nórdico. |
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Book Whole |
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Year |
2022 |
Publication |
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Pages |
103 |
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Keywords |
Heavy metal (Música); Masculinidad en arte; Vikingos |
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Abstract |
Esta tesis trata acerca del desarrollo que sigue la masculinidad de la figura del vikingo del metal, desde que aparece dentro del metal del norte global, hasta que se convierte en la figura paradigmática del metal vikingo nórdico. La hipótesis que sostengo es que el vikingo del metal vikingo nórdico representa una masculinidad de protesta del metal (siguiendo el sentido que Connell le da a la masculinidad de protesta). Por ello, se trata de una construcción de género que contiene elementos que van surgiendo y se vuelven parte de la cultura metalera, así como otros elementos más que le permiten mostrar su oposición o protesta hacia masculinidades diferentes a la que presenta el vikingo, sobre todo hacia la masculinidad hegemónica local. No obstante, la expresión de dicha oposición termina presentando varias similitudes con discursos de odio ligados al patriarcado, a la raza y a la nacionalidad. |
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Address |
https://www.uc.cl/ |
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Thesis |
Master's thesis |
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Publisher |
Pontificia Universidad Católica de Chile |
Place of Publication |
Santiago de Chile, Republic of Chile |
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Spanish |
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Magíster en Artes con mención en Musicología vía investigación; Open Access |
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Call Number |
INTech @ brianhickam2019 @ 781.66 |
Serial |
2296 |
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Author |
Núñez, María de la Luz |
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Title |
Crítica feminista a través de la técnica de voz gutural: el caso Vofemex. |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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Volume |
1 |
Issue |
1 |
Pages |
26-27 |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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español |
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ISSN |
2953-3805 |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2418 |
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Author |
Núñez, María de la Luz |
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Title |
Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas |
Type |
Journal Article |
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Year |
2023 |
Publication |
UCOARTE. Revista De Teoría E Historia Del Arte |
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12 |
Issue |
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Pages |
236–260 |
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Keywords |
Yana Raymi (band); Perú; Neobaroque; Aesthetics; Cover Art |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2491 |
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