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Author  |
Herbst, Jan-Peter (ed) | ||||
| Title | The Cambridge Companion to Metal Music | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 320 | ||
| Keywords | Heavy metal; Twentieth-Century and Contemporary music; Music: General interest; Music performance | ||||
| Abstract | “Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com). “Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/). Collection: The Cambridge Companions to Music. |
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| Publisher | Cambridge University Press | Place of Publication | Cambridge, England | Editor | Herbst, Jan-Peter |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Cambridge Companions to Music | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1108845861; 978-1108993982; eBook: 9781108991162 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2463 | ||
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| Author |
Herbst, Jan-Peter; Mynett, Mark | ||||
| Title | What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers | Type | Journal Article | ||
| Year | 2022 | Publication | Popular Music and Society | Abbreviated Journal | |
| Volume | t.b.c. | Issue | Pages | t.b.c. | |
| Keywords | Music Production; Sound; Heaviness | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2311 | ||
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| Author |
Herbst, Jan-Peter; Mynett, Mark | ||||
| Title | Toward a Systematic Understanding of “Heaviness” in Metal Music Production | Type | Journal Article | ||
| Year | 2022 | Publication | Rock Music Studies | Abbreviated Journal | |
| Volume | t.b.c. | Issue | Pages | ||
| Keywords | Heaviness; Music Production; Sound | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2312 | ||
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| Author |
Hereld, Diana Christine | ||||
| Title | Musical Intensity in Affect Regulation: Uncovering Hope and Resilience Through Heavy Music | Type | Book Whole | ||
| Year | 2016 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 141 | ||
| Keywords | Communication and the arts; Clinical psychology; Emotion regulation; Heavy metal; Heavy music; Plasticity; Resilience; Self-destructive behavior | ||||
| Abstract | This thesis discusses the nature of music’s impact on identity, subjectivity, and the self. To better understand music’s role in promoting hope and resilience, I pinpoint how heavy, intense, and highly emotive music applied over distinct listening practices impacts the regulation of affect and self-destructive impulses in individuals who suffer from trauma, mental illness, or self-destructive behavior. This research also investigates the characteristic of intensity often found in heavy music that seems (despite intuition) to ease negative or painful emotions, circumvent impulses to self-harm, and propel one to positive action. Of particular interest to this project are the ways both heavy and non-genre specific music listeners use various listening strategies in the regulation and modulation of negative affect and emotion. Specifically highlighted are the three strategies defined by Saarikallio (2008) in the Music in Mood Regulation (MMR) scale of using music to cope with negative mood states: Diversion, where music is used to distract from negative thoughts and feelings, Solace, where music is used for comfort, acceptance, and understanding when feeling sad or troubled, and Discharge, where anger or sadness are released through music. Through review and analysis of existing literature, qualitative research, and in-depth case studies, this thesis illuminates the ways musically-afforded emotion-regulation strategies allow subjects to meet, shape, and transform their difficult experiences by establishing hope and resilience that strengthens one’s ontological security and sense of self. |
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of California, San Diego | Place of Publication | Editor | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1-339-93488-4 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2221 | ||
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| Author |
Hernández Parra, Sergio Isaac | ||||
| Title | “NO SOMOS CHAPULINES”. LA ESTIGMATIZACIÓN DE LA PRÁCTICA MUSICAL METAL COMO VIOLENTA A FINALES DEL SIGLO XX EN COSTA RICA | Type | Journal Article | ||
| Year | 2022 | Publication | Metal de Habla Hispana | Abbreviated Journal | |
| Volume | 1 | Issue | Pages | 67-73 | |
| Keywords | Costa Rica; Sociology; Violence | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2504 | ||
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| Author |
Hernando González, Paola | ||||
| Title | La tradición clásica en el heavy metal y el rock | Type | Book Whole | ||
| Year | 2021 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Classicism | ||||
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| Corporate Author | Thesis | Bachelor's thesis | |||
| Publisher | Universitat autònoma de Barcelona | Place of Publication | Barcelona | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2324 | ||
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| Author |
Herrera Díaz, Francisco Augusto | ||||
| Title | Metal colombiano: los sonidos de un país en guerra | Type | Book Whole | ||
| Year | 2017 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Colombia; Music History; War; Semiotics | ||||
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| Corporate Author | Thesis | Bachelor's thesis | |||
| Publisher | Pontificia Universidad Javeriana | Place of Publication | Bogotá | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2472 | ||
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| Author |
Hiebaum, Christian | ||||
| Title | Law and Its Cultural Representations (With a Focus on Heavy Metal Studies) | Type | Book Chapter | ||
| Year | 2024 | Publication | The Law of the Metal Scene: An Interdisciplinary Discussion | Abbreviated Journal | |
| Volume | Issue | Pages | 11-28 | ||
| Keywords | Law; Legal | ||||
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| Publisher | Kohlhammer | Place of Publication | Stuttgart | Editor | Pichler, Peter |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2571 | ||
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| Author |
Hill, Rosemary Lucy | ||||
| Title | When love and critique collide: Methodology ontology fandom and standpoint in metal research | Type | Journal Article | ||
| Year | 2021 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 7 | Issue | 2 | Pages | 197-210 |
| Keywords | Methodology | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2074 | ||
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| Author |
Hill, Rosemary Lucy | ||||
| Title | When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music | Type | Journal Article | ||
| Year | 2022 | Publication | Samples. Open Access Journal for Popular Music Studies | Abbreviated Journal | |
| Volume | 20 | Issue | Pages | 197-210 | |
| Keywords | Methodology | ||||
| Abstract | This article is a slightly updated version of the article of the same name published in Metal Music Studies 7 (2), 197-210 (2021), with permission from the editor. | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2348 | ||
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