Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Hudson, Stephen S. |
Compound AABA Form and Style Distinction in Heavy Metal |
2021 |
Music Theory Online |
27 |
n.p. |
| Hudson, Stephen S. |
Feeling Beats and Experiencing Motion: A Construction-based Theory of Meter |
2019 |
|
|
334 |
| Hudson, Stephen S. |
Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music |
2022 |
Music Theory Spectrum |
44 |
s.p. |
| Hudson, Stephen S. |
Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics |
2021 |
Metal Music Studies |
7 |
475-478 |
| Hudson, Stephen S. |
Song form and storytelling in mainstream metal |
2023 |
Metal Music Studies |
9 |
7-26 |
| Hughes, Mairead |
Is affiliation with alternative subcultures associated with self-harm? |
2017 |
|
|
145 |
| Hurley, Gavin F. |
Funeral doom metal as the rhetoric of contemplation: A Burkean perspective |
2022 |
Metal Music Studies |
8 |
69-85 |
| Iuama, Tadeu Rodrigues |
O que acontece no palco é pretexto: Ecologia da Comunicação e capilaridades comunicacionais visitam o submundo musical |
2021 |
|
|
247-263 |
| Ivanović, Blanka |
Tool, indijska filozofija i Jung [Tool, Indian Philiosophy and Jung] |
2021 |
Studia Polensia |
10 |
7-22 |
| Jakić, Ivan; Beroš, Marin |
Nenormalnost ili o potrazi za identitetnim osnovama heavy metala [Abnormality or the search for heavy metal's fundamental identity] |
2021 |
Studia Polensia |
10 |
73-86 |
