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Coggins, O. (2019). Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures. Popular Music; Cambridge, 38(1).
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Coggins, O. (2019). Ritual Sacrifice in the Music and Noise of a Metal Festival. Riffs: Experimental Writing on Popular Music Studies, 3(2), 85–109.
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Coggins, O. (2019). Imaginaries of spirituality, violence and health impacts in metal music: A critical history and case study. Approaches: A Journal of Music Therapy, 11(1), 134–149.
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Collinson, I. (2019). ‘This is the Funeral of the Earth’: The ‘Dead-end’ Environmental Discourses of Australian Ecometal. In C. Hoad (Ed.), Australian Metal Music (pp. 129–144). London: Emerald.
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Copilaș, E. (2019). Negative determinations of intellect: A Hegelian critique of Slayer’s phenomenology. Metal Music Studies, 5(1), 71–87.
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Crofton-Sleigh, L. (2019). Heavy Metal Dido: Heimdall’s “Ballad of the Queen”. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 115–130). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Díaz, N. V. (2019). Coloniality and Resistance in Latin American Metal Music: Death as Experience and Strategy. HIOL: Hispanic Issues On Line, (23), 226–251.
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Eischeid, S. A., Kneer, J., & Englich, B. (2019). Peace of mind: The impact of metal gestures on stress and power. Metal Music Studies, 5(2), 137–150.
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Epp, A. (2019). The mosh pit – An area for excess or a place of learning? Metal Music Studies, 5(1), 107–114.
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Fletcher, K. (2019). Classical Antiquity, Heavy Metal Music, and European Identity. In A. Álvarez-Ossorio Rivas, F. Lozano, & C. Alarcón (Eds.), The Present of Antiquity. Reception, Recovery, Reinvention of the Ancient World in Current Popular Culture (pp. 223–246). Besançon: Institute des Sciences et Techniques de l’Antiquité.
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