| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Eckerström, Pasqualina |
The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
|
|
|
|
Efthymiou, Charalampos |
The Laws of Metal and Music Analysis |
|
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
69-84 |
|
|
|
El Harami, Said; Yachoulti, Mohammed |
Youth Heavy Metal Bands in Morocco: Resistance and the Struggle for Change |
2023 |
ESI Preprints |
|
742-777 |
|
|
|
Farías Álvarez, Ilse; Calderón Orellana, Majo |
MINORÍAS EN EL METAL CHILENO. LETRAS DE RESISTENCIA Y MUJERES AL EXTREMO |
2022 |
Metal de Habla Hispana |
1 |
85-92 |
|
|
|
Fejes, János |
Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music |
2017 |
Acta Universitatis Sapientiae, Communicatio |
4 |
37-60 |
|
|
|
Fellezs, Kevin |
The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
235-158 |
|
|
|
Fessenden, Jon W. |
Resonant Forms: Autistic Hearing and Heavy Metal Aesthetics |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
23-37 |
|
|
|
Friconnet, Guillaume |
A k-means clustering and histogram-based colorimetric analysis of metal album artworks: The colour palette of metal music |
2023 |
Metal Music Studies |
9 |
77-100 |
|
|
|
Fuertes, Fernando |
Underground Boliviano: Una nueva mirada a la escena metalera |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
135-169 |
|
|
|
Galicia Poblet, Fernando |
PANDEMIC. CUANDO LA DISTOPÍA SE TRASLADA A LA REALIDAD |
2022 |
Metal de Habla Hispana |
1 |
9-22 |
|
