Uriarte Trancon, C. (2021). La Chakalidad en el grupo Hadez 1988-2000: discursos de autenticidad en la producción musical del metal extremo peruano. Master's thesis, Pontificia Universidad Católica del Perú, PUCP, Lima, República del Perú.
Abstract: El presente trabajo se enfrenta a las estrategias utilizadas por las bandas de metal en el Perú, específicamente aquellas corrientes denominadas como “metal extremo”, para la construcción de discursos de autenticidad. Estas estrategias se expresan a través de técnicas de proceso sonoro y decisiones en relación a la producción musical tomadas durante el registro en el estudio de grabación y posterior edición en fonogramas. Estas decisiones, son también determinadas con anterioridad a la producción, y representan tanto la forma en la que las bandas conceptualizan su sonoridad en la práctica musical privada y grupal, como su expresión en la interpretación en el espacio escénico. Para lograr identificar estas estrategias, se aplican técnicas etnográficas y de la musicología de la producción musical, aunadas al análisis de conceptos relacionados con la autenticidad dentro del metal, especialmente la percepción de transgresión, con el fin de definir las características centrales que identifican el sonido del metal extremo peruano. Para ello realizo un estudio de caso que identifica y analiza la producción musical en la discografía de la banda limeña Hadez entre los años 1988 y 2000.
Esta producción se compone por 4 “demos” y 2 álbumes, en los que vemos reflejados los cambios en los discursos sonoros de autenticidad de la banda a través del tiempo. Esta investigación pretende demostrar el valor fundamental de la toma de decisiones en la producción musical del metal extremo peruano, ya que es a través de estas decisiones que se construyen y negocian los discursos de autenticidad. Estas estrategias y decisiones prácticas, influenciadas por el uso y acceso a la tecnología en el entorno de grabación e informadas por los discursos de autogestión, comunes una “escena global” underground del metal extremo, se encuentran en constante proceso de negociación con características propias locales, que exploro a través de este trabajo, y que definiremos como “chakalidad”.
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Tzu-Han Cheng, & Chen-Gia Tsai. (2016). emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs. Frontiers in Psychology, 7, art. 182.
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Turley, J., & Jocson-Singh, J. (2023). Heavy Music Mothers: Extreme Identities, Narrative Disruptions. Extreme Sounds Studies: Global Socio-Cultural Explorations. Lanham, Maryland: Lexington Books.
Abstract: "Heavy Music Mothers: Extreme Identities, Narrative Disruptions is an exploration of women and heavy music and the ways in which women have historically engaged with musicking as mothers. Julie Turley and Joan Jocson-Singh, musicking mothers themselves, largely employ an ethnographic lens, foregrounded in powerful one-on-one original interviews as vignettes that narrate thematic patterns. Other chapters examine motherhood identity embedded in respective published rock music memoirs, discussions of rock performance as a site of maternal bonding, and themes that arise when heavy music mothers write about motherhood. Autoethnographic portions throughout give the book an intimate and personal tone: one such chapter presents the concept of vigilante motherhood within an auto-ethnographic context.
The authors reference the book’s limitations, meditating on historically marginalized moms the authors predict and hope the focus will be on for the future. Heavy Music Mothers is a robust study of women and motherhood set within a music culture historically inhospitable to both women and mothers. This book, the first scholarly study of this topic, is just the beginning."
(Source: Rowman & Littlefield)
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Trummer, M. (2024). Highway to Hell: Das Satanische im Heavy Metal. MetalBook (Volume 3). Stuttgart, Baden-Württemberg, Germany: Kohlhammer Verlag.
Abstract: <<Produktbeschreibung: Schwarze Messen, Satanismus, Teufelskult – das Satanische hat im Rock 'n' Roll seit jeher einen festen Platz. Jedenfalls warnen konservative Kräfte bereits seit den 1950er Jahren vor dem teuflischen Einfluss der Rockmusik auf Jugend, Kultur und Gesellschaft. Seit den 1970er Jahren kultivierte der Heavy Metal ganz bewusst sein Image als “Teufelsmusik” und zieht bis heute vielfältige kreative Impulse aus dem Satanischen.
Der Teufel selbst begegnet in Musik, Texten und Artworks als schillerndes, vielschichtig besetztes Symbol. Ob als schauerliche Horrorfigur, als provokanter Trickster oder als Idol in parareligiösen okkulten Systemen – er prägt die Ästhetik und Ideologie des Metal wie kaum eine andere Gestalt. Stets bleibt er dabei zugeich Spiegelbild sich verändernder soziokultureller Werte und Normen.
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[Product description: Black masses, Satanism, devil cult – the satanic has always had a firm place in rock 'n' roll. In any case, conservative forces have been warning about the devilish influence of rock music on youth, culture and society since the 1950s. Since the 1970s, heavy metal has consciously cultivated its image as “devil's music” and continues to draw diverse creative impulses from the satanic to this day.
The devil himself appears in music, lyrics and artwork as a shimmering, multi-layered symbol. Whether as a gruesome horror figure, a provocative trickster or an idol in parareligious occult systems – he shapes the aesthetics and ideology of metal like no other figure. It always remains a reflection of changing socio-cultural values and norms.]
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Triplett, A. G. (2016). Music and aggression: Effects of lyrics and background music on aggressive behavior. Master's thesis, Loyola University Chicago, Ann Arbor.
Abstract: Given the ever-growing popularity of music in daily life, it is of the utmost importance to understand how it influences affect, cognition, and behavior, especially given the violence of certain genres of music. The present study was designed to investigate the relationship between music and behavior, specifically to examine how the lyrics and background music interact to influence affective hostility and aggressive behavior. Data were collected from a sample of 168 students (61% Female; MAge = 19.24, SD = 2.470) at a large, private, Midwestern university to investigate this relationship. The music was manipulated by randomly assigning the participant to listen to one of four versions of a song. These versions included the match of either antisocial or prosocial lyrics with heavy metal or calm background music.
Although there was no significant main effect of the lyrical content on participant’s aggressive behavior as hypothesized, there was a significant main effect of the lyrical content on an individual’s level of affective hostility F(4,159) = 8.818, p < .001, η 2</super> = .186. Specifically, pairwise comparisons showed antisocial lyrics resulted in a higher level of hostility as compared to the prosocial lyrics. This pattern suggests that music influences an individual’s affective hostility, but counter to previous research, music does not necessarily alter aggressive behavior. The relationship between music and aggression requires further investigation in order to determine whether music does in fact influence behavior, including potential moderators of this relationship.
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Trafford, S. (2021). Amon Amarth Make Mead! Alcohol consumption, masculinity, and the modern Viking. In Tommaso di Carpegna Falconieri, Pierre Savy, & & Lila Yawn (Eds.), Middle Ages without borders: A conversation on Medievalism. Collection de l'École française de Rome. Italy: Publications de l’École française de Rome.
Abstract: “This paper explores and comments upon the way in which neo-Viking identities, masculinity and alcoholic consumption have become aligned and mutually reinforcing in popular culture, aided and abetted by consumer capitalism and the power of advertising.”
Since 2020, all volumes from the Collection of the French School of Rome and the Library of the French Schools of Athens and Rome are also freely available online on the OpenEdition Books website:
https://books.openedition.org /efr/95
https://books.openedition.org/efr/96
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Torraga, G. S. (2021). Rescate de la cultura andina en bandas de metal. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 106–112). Buenos Aires: Clara Beter Ediciones.
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Tontsch, K. (2021). Reign in Blood Beauty: Eine empirische Studie zum Schönheitsideal im Heavy Metal.
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Tofalvy, T., & Koltai, J. (2021). “Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system. New Media & Society, OnlineFirst.
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Thomson, A., & Thomson, A. M. E. (2022). Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band. Metal Music Studies, 8(3), 381–400.
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