|
Bernal, M. (2021). Pantallas de un metal nuevo. Comunicación y cultura pesada. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 57–61). Buenos Aires: Clara Beter Ediciones.
|
|
|
Bernal, M. (2022). MURMULLOS INQUIETANTES EN LA ORILLA. IMPRESIONES EN TORNO A LA VITALIDAD DE UN DEBATE. Metal de Habla Hispana, 1, 113–117.
|
|
|
Birnie-Smith, J., & Robertson, W. C. (2021). Superdiversity and translocal brutality in Asian extreme metal lyrics. Language & Communication, 81, 48–63.
|
|
|
Blake, C. (2017). Dronoclasm or the swarming of angels in endless night. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 10–14). St. Louis: Void Front Press.
|
|
|
Bleile, M. L., Luedeker, B., & Patterson, C. B. (2022). A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West. Metal Music Studies, 8(3), 327–350.
|
|
|
Boughali, K. (2021). Réflexions sur le black metal. Independently published.
|
|
|
Boughali, K. (2022). Thoughts on Black Metal. Independently published.
|
|
|
Brizard, C. (2006). La fusion de la musique metal et de la musique classique. Nightwish et les voix chantées. Une étude de cas. Volume! La revue des musiques populaires, 5(2), 115–135.
|
|
|
Brown, A. R. (2021). Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91. Metal Music Studies, 7(2), 257–276.
|
|
|
Brown, A. R. (Ed.). (2024). Who Do We Think They Are? Deep Purple and Metal Studies. Equinox.
|
|