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Author  |
Callaway, Charles | ||||
| Title | I See The Horse | Type | Book Whole | ||
| Year | 2016 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 490 | ||
| Keywords | Communication and the arts; Creative writing; Fantasy literature; Fiction; Heavy metal | ||||
| Abstract | I See the Horse is a fantasy novel that follows the adventures of Komar Voorhexees of Port Karpricius during a time of civil war within The Ten Kingdoms of the Enlibar Empire. The primary focus or super objective of the novel centers on the pursuit of a religious artifact, The Tear of Vashanka, and the delivery of documents important to the war cause. The novel follows story telling lessons from Twain, Vonnegut, Robert Mckee, and Orson Scott Card. The novel also mixes elements from canonical masters such as Homer, Shakespeare, and Joyce with genre-champions such as J.R.R. Tolkien, R.E. Howard, and G.R.R. Martin, as well as components of heavy metal music. The result lies squarely between the subgenres of Sword and Sorcery and High (Epic) Fantasy. The first six chapters fit into the Sword and Sorcery category; whereas, the second dives into Epic Fantasy as the protagonist slowly becomes part of the bigger milieu. The novel was created to have an original, gritty, realistic world with an American feel and flavor and a fantasy city drenched in the culture of the American South. To create a fantasy novel with an American feel was the projects initial purpose and drive. This is accomplished by drawing heavily upon the author’s life and experience. |
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Central Oklahoma | Place of Publication | Ann Arbor | Editor | |
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1-369-45252-5 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2216 | ||
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| Author |
Calvo, Manuela | ||||
| Title | Ricardo Iorio e e metal argentino: uma genealogia dos seus nacionalismos | Type | Journal Article | ||
| Year | 2021 | Publication | Tropos: Comunicação, Sociedade e Cultura | Abbreviated Journal | |
| Volume | 10 | Issue | 2 | Pages | s.p. |
| Keywords | Nationalism; Argentina; Ricardo Iorio (musician); Politics | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2240 | ||
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| Author |
Calvo, Manuela | ||||
| Title | La escena metálica bonaerense: parias doblemente orgullosos | Type | Magazine Article | ||
| Year | 2022 | Publication | Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras | Abbreviated Journal | |
| Volume | 1 | Issue | 1 | Pages | 14-15 |
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| Abstract | Manuela Calvo (Tandil, Buenos Aires, Argentina). Es becaria-investigadora en el Instituto de Geografía, Historia y Ciencias Sociales de CONICET y el Instituto de Estudios Histórico Sociales de la UNICEN. Ama la música (especialmente, el rock y el metal), la danza y la literatura, pero en los últimos 15 años se dedicó a estudiar y escribir textos científicos. Pueden leer y descargar sus trabajos en: https://conicet.academia.edu/ Contacto: nuna.calvo@gmail.com REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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| Publisher | REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) | Place of Publication | Autonomous City of Buenos Aires, Argentine Republic | Editor | |
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2953-3805 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2376 | ||
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| Author |
Calvo, Manuela Belén | ||||
| Title | Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases | Type | Book Chapter | ||
| Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
| Volume | Issue | Pages | 163-186 | ||
| Keywords | Argentina; Gender; Coloniality | ||||
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| Publisher | Lexington Books | Place of Publication | London | Editor | Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2429 | ||
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| Author |
Calvo, Manuela Belén | ||||
| Title | El metal en Argentina: disputas espacio-temporales de una escena musical | Type | Journal Article | ||
| Year | 2024 | Publication | DEBATS | Abbreviated Journal | |
| Volume | 138 | Issue | 1 | Pages | 77-91 |
| Keywords | Argentina; Sociology; Authenticity; Underground; Conservative values | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2579 | ||
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| Author |
Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica | ||||
| Title | Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal | Type | Journal Article | ||
| Year | 2022 | Publication | Trans: Revista Transcultural de Música | Abbreviated Journal | |
| Volume | 26 | Issue | Pages | 1-16 | |
| Keywords | Metal, violencia, género, protocolo, Nuestra Abya Yala, Nuestra Afroamérica; Gender; Violence; Metal music, GBV, protocol, Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM) | ||||
| Abstract | El objetivo de este artículo es narrar la experiencia de construcción de un protocolo contra violencias por motivos de género en las prácticas del metal dentro de la región de Nuestra Abya Yala y Nuestra Afroamérica, por parte de la Comisión de Género de la Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM). Para ello se dará cuenta de las diferentes etapas que componen este proceso, las cuales van desde las necesidades iniciales surgidas a partir de diversos ataques de violencia epistémica hacia integrantes de la REEHM, hasta la elaboración colectiva mediante métodos colaborativos. Esto implica la lectura, la reflexión y la escucha cuidada y grupal en la Primera Ronda de Brujxs. Hacia el final se comentan algunas conclusiones y proyecciones futuras vinculadas al metal y las problemáticas de género. [The aim of this article is to recount the experience of building a protocol against gender-based violence (GBV) within metal music practices in the region of Nuestra Afroamerica, by the Gender Commission of the Heavy Metal Studies and Experiences Network (REEHM). The different stages that make up this process will be described, ranging from the initial needs arising from various attacks of epistemic violence against REEHM members, to the collective elaboration through collaborative methods. This involves group reading, reflection, and careful listening in the Primera Ronda de Brujxs (First Circle of Witches). Towards the end some conclusions and future projections related to metal and gender issues are discussed.] |
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| Publisher | SIBE: Sociedad de Etnomusicología | Place of Publication | Barcelona, España | Editor | |
| Language | español | Summary Language | English | Original Title | |
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| Series Volume | Series Issue | Edition | |||
| ISSN | 1697-0101 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Open access: Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Spain license. | Approved | no | ||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2387 | ||
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| Author |
Campoy, Leonardo Carbonieri | ||||
| Title | As revelações da escuridão: o show no underground do heavy metal extremo como um ritual | Type | Book Chapter | ||
| Year | 2022 | Publication | Música Extrema: ruídos, imagens e sentidos | Abbreviated Journal | |
| Volume | Issue | Pages | 203-221 | ||
| Keywords | Ritual; Performance; Extreme Metal | ||||
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| Publisher | Pimenta Cultural | Place of Publication | São Paulo | Editor | Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2363 | ||
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| Author |
Cano Barrón, José Luis; Dulude, Daniel | ||||
| Title | Banzai Records: The Power Of The Canadian Steel Blade | Type | Book Whole | ||
| Year | 2002 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Banzai Records (record label); History; Canada | ||||
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| Publisher | UnderFire Ediciones | Place of Publication | Editor | ||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2345 | ||
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| Author |
Cárdenas Azuaje, Diana María | ||||
| Title | MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ | Type | Book Chapter | ||
| Year | 2021 | Publication | Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad | Abbreviated Journal | |
| Volume | Issue | Pages | 355-393 | ||
| Keywords | Bogotá; música Metal; mujeres; representaciones sociales | ||||
| Abstract | El presente texto muestra los hallazgos de la investigación “Representaciones sociales de la mujer en la cultura del Metal en Bogotá”, tesis de maestría presentada en la Universidad Distrital Francisco José de Caldas en 2012. Dicha investigación fue de corte cualitativo y abordó la perspectiva teórica estructural de las Representaciones Sociales (RS) de Jean Claude Abric (2001). Con ese constructo se determinaron el núcleo central (idea estable y organizadora) y los elementos periféricos (idea flexible auxiliar del núcleo) para las categorías: Mujer y Metal. Para el estudio, se recurrió a la recolección e interpretación de 19 entrevistas semiestructuradas que se realizaron en Bogotá – Colombia. Las participantes son mujeres escuchas e intérpretes de música Metal con diversas características. En el análisis de instrumentos, se identificaron varios términos con alta frecuencia de reiteración (fuerza, vida, valentía y música), que se agruparon por semejanza, contigüidad o contraste, relacionados con la vivencia de la música Metal desde la perspectiva de las mujeres. Los hallazgos se presentan relacionados a las categorías: 1. Mujer, asociada a cuatro núcleos: superficialidad, espiritualidad, liberación, pautas restrictivas. 2. Metal, que tiene como núcleos cultura/contracultura, machismo, Identidad/gusto, música, ritmo e interpretación. Así mismo se encontró (entre otras cuestiones) que las entrevistadas definen al Metal, como cultura en tanto genera elementos identitarios a partir de preferencias musicales, rituales, territorios, lenguajes, indumentarias y significados. Las mujeres del medio realizan una “transformación” frente a algunos parámetros de feminidad difundidos tradicionalmente consolidando una especie de feminidad transgresora. |
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| Address | https://imaginariosyrepresentaciones.com/miembros/diana-maria-cardenas-azuaje/ | ||||
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| Publisher | Red Iberoamericana de Academias de Investigación, A.C. (978-607-99621) | Place of Publication | XALAPA, VERACRUZ, MÉXICO | Editor | ELIZABETH BALLÉN GUACHETÁ; LUIS ENRIQUE PÉREZ MÉNDEZ; SINDY PAOLA DÍAZ BETTER; DIANA MARÍA CÁRDENAS AZUAJE |
| Language | Spanish | Summary Language | Original Title | ||
| Series Editor | Series Title | Colección Imaginarios y Representaciones | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | First | ||
| ISSN | ISBN | 978-607-99388-5-7 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | See also INTRODUCCIÓN, pages 1-19. www.redibai.org; redibai@hotmail.com | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2288 | ||
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| Author |
Cárdenas Azuaje, Diana maría | ||||
| Title | El metal en clave de género | Type | Journal Article | ||
| Year | 2022 | Publication | Imaginación o Barbarie | Abbreviated Journal | |
| Volume | 25 | Issue | Pages | ||
| Keywords | Gender | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2496 | ||
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