|
Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Höpflinger, Anna-Katharina |
Religiöse Codes in der Populärkultur: Kleidung der Black Metal-Szene |
2020 |
|
|
|
|
|
Hug, Xavier; Torgoff, Leo Stephen |
Un art contemporain ? la (sombre) lumière du Black Metal |
2013 |
Art press |
396 |
69-74 |
|
|
Hunt-Hendrix, Hunter |
Transcendental Black Metal |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
53-66 |
|
|
Hunt-Hendrix, Hunter |
Transcendental Black Metal A Vision of Apocalyptic Humanism |
2012 |
Black Metal: Beyond the Darkness |
|
|
|
|
Ishmael, Amelia |
The night is no longer dead; it has a life of its own |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
n.-p. |
|
|
Ishmael, Amelia (ed) |
Helvete: A Journal of Black Metal Theory. Issue 3: Bleeding Black Noise |
2016 |
|
|
|
|
|
Jalang, Bagus |
Distraction |
2016 |
Helvete: A Journal of Black Metal Theory |
3 |
73-80 |
|
|
Jameson, Neill ”Imperial” |
Black plastic is still poisonous |
2012 |
Black Metal: Beyond the Darkness |
|
|
|
|
Jamshid, Jon ”Thorns” |
Transatlantic Underground |
2012 |
Black Metal: Beyond the Darkness |
|
|
|
|
Jones, Ieuan |
Black Metal and the Rebirth of the ‘Monstrous’ in Norway |
2013 |
Global Interdisciplinary Research Studies |
3 |
75-92 |
|