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Author  |
Zaddach, Wolf-Georg | ||||
| Title | »30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal | Type | Journal Article | ||
| Year | 2014 | Publication | Lied und Populäre Kultur; Münster | Abbreviated Journal | |
| Volume | 59 | Issue | Pages | 227-241,293 | |
| Keywords | Sociology; Extreme Metal | ||||
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| Language | German | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 1619-0548 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ zaddach_30_2014 | Serial | 867 | ||
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| Author |
Wilson, Scott A. | ||||
| Title | Music at the Extremes: Essays on Sounds Outside the Mainstream | Type | Book Whole | ||
| Year | 2015 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Gender; Motifs; Extreme Metal; Politics | ||||
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| Publisher | McFarland | Place of Publication | Jefferson | Editor | |
| Language | English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1-4766-2006-0 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ wilson_music_2015 | Serial | 61 | ||
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| Author |
Williams, Dominic | ||||
| Title | Embodying the Auschwitz ”Sonderkommando” in extreme metal | Type | Journal Article | ||
| Year | 2020 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 6 | Issue | 3 | Pages | 319-336 |
| Keywords | Extreme Metal; Holocaust | ||||
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| Language | en | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ williams_embodying_2020 | Serial | 1954 | ||
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| Author |
Wang, Yuan | ||||
| Title | Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 | Type | Book Chapter | ||
| Year | 2015 | Publication | Modern Heavy Metal: Markets, Practices and Cultures | Abbreviated Journal | |
| Volume | Issue | Pages | 219-229 | ||
| Keywords | Sociology; Extreme Metal; Cultural Identity; History (metal music); Non-Western scenes; Music industry; China | ||||
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| Publisher | Aalto University & International Institute for Popular Culture | Place of Publication | Helsinki & Turku | Editor | Karjalainen, Toni-Matti; Kärki, Kimi |
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ karjalainen_formation_2015 | Serial | 373 | ||
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| Author |
Walzer, Nicolas | ||||
| Title | Anthropologie Du Metal Extreme | Type | Book Whole | ||
| Year | 2007 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Extreme Metal | ||||
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| Publisher | Camion Blanc | Place of Publication | Rosieres en Haye | Editor | |
| Language | fr | Summary Language | Original Title | ||
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| ISSN | ISBN | 978-2-35779-456-6 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ walzer_anthropologie_2007 | Serial | 1086 | ||
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| Author |
Walzer, Nicolas | ||||
| Title | Les imaginaires satanique et païen: le cas de la musique métal extrême | Type | Book Whole | ||
| Year | 2007 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Satanism; Extreme Metal; Heathenism | ||||
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Université Paris Descartes | Place of Publication | Paris | Editor | |
| Language | français | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ walzer_les_2007 | Serial | 1904 | ||
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| Author |
Walsh, Ashley | ||||
| Title | “A great heathen fist from the North”: Vikings, Norse Mythology, and Medievalism in Nordic Extreme Metal Music | Type | Book Whole | ||
| Year | 2013 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Extreme Metal; Cultural Identity; Vikings; Neomedievalism; Mythology | ||||
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Universiteit i Oslo | Place of Publication | Oslo | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ walsh_great_2013 | Serial | 42 | ||
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| Author |
Walch, Florian | ||||
| Title | Extreme Metal Across the Digital Divide: Music, Technology, Genre | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 301 | ||
| Keywords | analog; analysis; digital; extreme metal; genre; media; music history; music theory | ||||
| Abstract | This dissertation examines how the analog-digital transition influenced the development of extreme metal, interpreting its present obsession with fine sub-generic distinctions and “old-school” revivals of analog aesthetics as a means of coping with an uneasy dependence on digital media. While extreme metal’s values developed in analog networks, its transcendence of aural and bodily limits required digital prostheses. The digital divide in accessing these contested technologies structured extreme metal’s system of subgenres, which—like the remembered inconveniences of the past—memorialize now-lost resistances. This dissertation’s arc is conceptual and chronological. Its introduction and conclusion frame its inquiry with present concerns, while the inner chapters are case studies that progress from undifferentiated analog beginnings in the 1980s to sub-generic crystallization up to the arrival of the digital audio workstation in the mid-1990s. Using archival materials, newly conducted interviews, and close readings of musical records, these case studies put vernacular theories into dialog with discourses drawn from the musicology of record production, music theory, and critical theory. Ultimately, these constellations aim to articulate a constitutive relationship between what it means to analyze, make, and enjoy popular music. This dissertation’s contributions are twofold. First, it provides models for the analysis of popular music grounded in the historically conditioned values of an aesthetic community—and how these values are adapted to disruptions. Second, this dissertation argues that (sub-)genre, as the promise of being able to repeat (increasingly narrow) aesthetic experiences, requires technologies that make this repetition possible—at least in fantasy. The Introduction uses ethnographic vignettes to establish the contemporary importance of sub-genre and nostalgia. Chapter 1 asks why pioneering musicians can claim to have heard extreme metal before it existed, by manipulating the time-axis of existing records on tape or vinyl players. This fetish-like objectification of creativity reflects a disavowal of subjective creativity. Chapter 2 analyzes death metal drumming’s labor theory of value, demonstrating why digital drum sample replacement was both essential and intolerable for the development of the prized blast beat, which was valued as concrete time, but measured as abstract time. An Interlude examines how moral panics around backmasking let horror-inspired album introductions transmit different messages to insiders and outsiders. Chapter 3 reconstructs the digital-analog assemblage Morrisound Studios used to create the signature hyper-real performance associated with death metal and explores how its aural trace made the digital divide audible. Chapter 4 argues that the death metal production aesthetic undermined the groove-based forms of grindcore, examining how former grindcore bands re-record their own songs in a death metal idiom. Chapter 5 contests the notion that black metal was only a return to an imagined analog past, analyzing it as a post-digital style that used the devaluation of human performance it critiqued in death metal to incorporate influences from electronic dance music. The Postlude returns to the present and considers what is at stake when resistances are lost to remediation. (source: Uchicago.edu) |
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | The University of Texas at San Antoniohicago | Place of Publication | Chicago, Illinois | Editor | |
| Language | English | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2604 | ||
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| Author |
Villalobos Albornoz, Omar | ||||
| Title | “Pampa endiablada” y extreme metal: sociología visual y hermenéutica del diseño | Type | Journal Article | ||
| Year | 2015 | Publication | Revista de Estudios Cotidianos | Abbreviated Journal | |
| Volume | 3 | Issue | 1 | Pages | 253-286 |
| Keywords | Extreme Metal; Latin America | ||||
| Abstract | La interpretación de la imagen como fenómeno de interés sociológico, comprende un campo para la aproximación hacia lo contemporáneo y visual. El oficio en la sociología visual interpreta el diseño de cubierta en relación al extreme metal, específicamente el de un producto titulado “Pampa Endiablada”; compilación de bandas en la zona norte de Chile [2009] A ello se agrega el estudio de la relación que se puede establecer con la noción de hibridación cultural, en tanto tenga cabida en el fenómeno en cuestión. | ||||
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| Publisher | Place of Publication | Republic of Chile | Editor | ||
| Language | spa | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 0719-1936 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ villalobos_albornoz_pampa_2015 | Serial | 1586 | ||
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| Author |
Vasan, Sonia | ||||
| Title | Gender and Power in the Death Metal Scene: A Social Exchange Perspective | Type | Book Chapter | ||
| Year | 2016 | Publication | Global metal music and culture: current directions in metal studies | Abbreviated Journal | |
| Volume | Issue | Pages | 261-276 | ||
| Keywords | Gender; Extreme Metal; North Carolina | ||||
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| Publisher | Routledge | Place of Publication | New York & London | Editor | Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith |
| Language | en | Summary Language | Original Title | ||
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| ISSN | ISBN | 978-1-317-58725-5 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ brown_gender_2016 | Serial | 468 | ||
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