Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Unger, Matthew P. |
Ode to a dying God: Debasement of Christian symbols in extreme metal |
2019 |
Metal Music Studies |
5 |
243-262 |
| Umurhan, Osman |
Coda: Some Trends in Metal’s Use of Classical Antiquity |
2019 |
Classical Antiquity in Heavy Metal Music |
|
201-216 |
| Tolis, Sakis; Patterson, Dayal |
Non serviam: oficiální historie Rotting Christ |
2019 |
|
|
|
| Thomas, Niall; King, Andrew |
Production perspectives of heavy metal record producers |
2019 |
Popular Music; Cambridge |
38 |
498-517 |
| Taylor, Matthew |
Eternal Defiance: Celtic Identity and the Classical Past in Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
53-76 |
| Swist, Jeremy J. |
Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal |
2019 |
Metal Music Studies |
5 |
35-51 |
| Swinford, Dean |
Black Metal’s Medieval King: The Apotheosis of Euronymous through Album Dedications |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
121-136 |
| Susino, Marco; Schubert, Emery |
Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics |
2019 |
Empirical Musicology Review |
14 |
2-15 |
| Surendra, Sebastian |
Transgresyjność w kulturze obnażania? Teledysk Pussy zespołu Rammstein |
2019 |
Kultura rocka 2. Słowo, dźwięk, performance |
|
299-310 |
| Steinken, Woodrow |
Norwegian black metal, transgression and sonic abjection |
2019 |
Metal Music Studies |
5 |
21-33 |
